Are the loudness wars fake so record companies can destroy the music?


Sam here and if the music industry have implimented EBU R 128 for loudness normalisation how come the volume on most digital remastered albums leaving the studio is set to "11" lf the listening volume will be the same across the board for streaming services why bother? l’ll tell you why. By lowering the overall volume after the fact does not repair the damage that has already been done! The goal here is to destroy the sound quality of the music and it makes no difference what side your on because the end result is still the same the album is unlistenable. l remember listening to music before the digital age and you not only heard the music you felt it.Well nothing has changed only now you hear the music and feel pain? Draw your own conclusions friends.
guitarsam
Yes we fully realise guitarsam is a class A troll but....

In this instance at least the subject matter has some merit and interest.
Sam here and everything i say makes common sense because i know i’m right it’s hard to except a new way of thinking when i present the facts i prove my case just like when i said flac with compression level 4 is superior to all other flac levels and people tested my theory and confirms i was right and that’s just 1 case.
Sam here and people that agree with me do so because common sense tells them that i'm right. people call me a troll until i back it up then you can hear a pin drop.lf more people would think outside the box we could put the record companies on notice were not gonna take it anymore.