Is idler drive better than belt drive or direct drive?


I’m sure this subject has been hashed out many times.
I am the proud owner of a Woodsong Garrard 301. Have owned belt drives and, long ago, a direct drive.
Just judging from the physicality of the idler drive and the result, I feel the idler drive gives more impact and drive to the music. This is very appealing. Believe belt drives significantly came into fashion since they are cheaper to make. I know there are several measurements which are less desirable, but the overall sound is most important and desired.
mglik
There is no good or conclusive answer to this one as it all depends on system synergy and your personal preferences and obviously the tonearm, cartridge, phonostage, amp, speakers attached to it....lol.

Just too many variables to state anything conclusively.

As Mijo knows I am a big idler drive proponent owning a top flight refurbished Garrard 401 with a Micro Seiki MA505LS arm with various mc carts, Dynavector Karat ruby, Koetsu Black Goldline, Ortofon Cadenza Black etc.

Now I have recently acquired an Avid Diva 11 SP Belt drive TT that I am putting through its paces right now as a worthy challenger.

So far results are impressive but I would say it just does not have the low down drive and propulsion that the 401 does.
Now call that evidence of rumble if you will, I truly dont care as its in my system and my old ears like the sq and at the end of the day that is all you can say about it.

What I would most likely agree with here on Mijo post is that if you have an old idler drive that has worn parts then it is likely to sound worse faster than a worn belt drive table but there are MANY "cottage industry" suppliers to bring Garrard, Thorens, Dual etc more than back to life and vastly exceed original performance.

Yer pays yer money and takes yer chances!
They can all be good depending on the execution of the designer.  A well reconditioned idler at a modest price sounds wonderful to these ears.
What is important is that the turntable have a robust drive that does not slow down when the stylus lands in the groove and the like. So the motor should have a bit of torque! You'll find that the most respected machines have this quality and this is true of vintage machines like the Garrard. They usually also have a platter that is effective as a flywheel.

Its also important that the 'table have an effective plinth; effective in that it is both dead (well damped) and rigid in such a way that the bearing of the platter is very well coupled to the base of the tonearm. This insures minimum coloration on account of vibration.

mijostyn
2,419 posts
08-17-2020 6:41am
Here we go again.

18 hz, on a TT, that would be something... Most of my stuff is cut off at 35-40, just for that reason.. Heck the old 78 stuff, didn't go below 60.
There was nothing recorded below that. I have a LOT of the old stuff, sounds wonderful, but 18 hz has ZERO sound, lot of feeling though..:-)

28 hz on a TT, must sound like a train going buy all the time.. I don't push the sub bass issue with TT. I know you can I just don't. Better off with Reel to reel in the analog realm, going REAL low...

Regards
Better off with Reel to reel in the analog realm, going REAL low...
Keeping in mind of course that the LP has superior LF response when compared to reel to reel.