From what I remember, for line stages AU, AY, are better, AX usually for high gain MM or MC phono stages. AT's for drivers.
No AY's please,
But OK so i can see a AX for phono section,, which is why i titled this topic, ~~Line stage~~ only.
AU's are slightly superior to AT's, as far as sonics, fq, sound stage = magic of a pre tube.
I just sold a all 12AT 3 stage(3 pairs of AT'S!!) line stage amp today,. Not as forward voicing as the Jadis's DPL single 12AX7.
That is to say, the DPL's lone AX voiced as higher/higher db level vs the 6 AT7's.
The cayin is the only linestage under $2K that i know of which uses a 100% 12AU7 circuitry.
PL which is made at the same lab, has AU/AX Circuitry. ,,No I take that back,, some PL line stage, the newer bigger models do offer all AU circuitry.
I listened to a older PL model with AU/AX, and did not care for the soundstage.
Leaving me more convinced a all 100% AU line stage is the best circuitry for a line stage.
No AY's please,
But OK so i can see a AX for phono section,, which is why i titled this topic, ~~Line stage~~ only.
AU's are slightly superior to AT's, as far as sonics, fq, sound stage = magic of a pre tube.
I just sold a all 12AT 3 stage(3 pairs of AT'S!!) line stage amp today,. Not as forward voicing as the Jadis's DPL single 12AX7.
That is to say, the DPL's lone AX voiced as higher/higher db level vs the 6 AT7's.
The cayin is the only linestage under $2K that i know of which uses a 100% 12AU7 circuitry.
PL which is made at the same lab, has AU/AX Circuitry. ,,No I take that back,, some PL line stage, the newer bigger models do offer all AU circuitry.
I listened to a older PL model with AU/AX, and did not care for the soundstage.
Leaving me more convinced a all 100% AU line stage is the best circuitry for a line stage.