Tone arm resonance and cartridge compliance: How do they interact??


I read many years ago about the importance of tonearm resonance. How does that affect sound quality, and also cartridge compliance  How do you determine tonearm /cartridge compatibility??


Thanks,

S.J.

sunnyjim
Dear @lewm : obviously that a tonearm as a cartridge in static way has no intrinsec resonances but in the very first moment that the TT spins even with the tonearm in rest that tonearms has " resonances/vibrations " at micro levels. So @bdp24 is rigth about.

The overall subject always been a little controversial because the formula calculates the resonance frequency of a cartridge/tonearm at static/rest way. The numbers are the ones from those combinations of tonearm-cartridge and it’s a good place to start with the subject but those numbers will change during playback because exist additional parameters that affects it.

Yes, the formula says what you posted but you have experiences where that not really happens during playback because you love that very heavy FR tonearm with a cartridge boarding in the 40-50 cu and you love that combination.

So, some one out there needs to model what in reality happens taking in count all those multiple factors/parameters around this controversial subject.

Even those always is convenient try to achieve the ideal frequency range in our tonearm/cartridge combinations because the quality performance will be better than if we don’t care about. Problem is that several times we like what is wrong and dislike what is rigth !

Btw, """ supplying a set of CWs that vary in mass . "" this was posted too by @bdp24 with his Zeta tonearm but is not critical inside the resonance formula because the CW is near the fulcrum and contributes very low for the total mass.
What is important for place/position the CW the nearest we can to the tonearm bearing is to gives to the tonearm a better overall " displacement/operation " during playback, give an additional facility to the tonearm work.


Regards and enjoy the MUSIC NOT DISTORTIONS,
R.


I’ve seen low effective mass referred to as low moment of inertia. It is logical to conclude that a low moment of inertia arm requires and benefits from a low friction bearing.

Geoffrey Owen offers his Helius Omega Silver arm (used by Tim de Paravicini on his excellent EAR-Yoshino table) with the choice of Ruby or Silicon Nitride (Si 3N 4) ball bearings, both of which possess a hard, very smooth surface and therefore low friction, perfect for an arm’s bearings.

Dear Raul, I have to differ with you only on what you wrote in your first paragraph. The effective mass of the tonearm and the compliance of the cartridge determine the resonant frequency according to the formula that you know and I know too. You are probably right that in the real world resonance  is not so easy to figure out just from numbers. The first of all problem is that we really usually don’t know the effective mass of the tonearm/cartridge we’re using. For example, the Fidelity research has a very high effective mass when used with its factory supplied head shell, which in itself is heavy. And head shells have an inordinate affect on effective mass, because they are out there at the end of the tonearm. I use the Fidelity research tonearm with a high compliance cartridge, but I use a very lightweight head shell when I do that. And yes, from a listener standpoint the combination is very successful. But I have to freely admit that I really don’t know exactly what is the effective mass of the tone arm and cartridge combination that I ended up with. The Acutex cartridge that I used with the Fidelity research tonearm is also an extremely lightweight cartridge body in and of itself. Probably many grams lighter than a typical fidelity research cartridge of the vintage era. I can only tell you there is no audible sense that the resonant  frequency is interfering with bass response or anything else. The best way to work out what is going on with the tonearm and cartridge and resonance  is probably to figure out the resonant frequency by using a test LP or a very novel test that I read about on vinyl asylum. So then you would hopefully know the compliance of the cartridge and the resonant frequency and from that you can work backwards to get some idea of effective mass.
lewm, I agree and disagree with different parts of your statement. Rather than cut and paste a text on mechanical amplifiers and resonance, please tell me how adding weight at the headshell is beneficial to the resonance of the lever?

I agree that increasing the mass of the lever (arm tube) will dampen a mechanical amplifier. But increasing the resistant load will have the opposite effect, decreasing stability and increasing secondary effects (hysteresis, etc.) Ideally, you would change the mass of the tonearm buy using arm tubes of differing weight and matched headshells. Some manufacturers used to do this.

If you are going to stabilizing mass to most conventional tonearms, adding it as close as possible to the pivot point will both increase stability and lower resonance.
I’ve used my Stanton 881s on my Ikeda 407 with a light headshell. And with the counterweight all the way in I can’t balance it with the dynamic balance off. When I add dynamic weight I can only add a half gram to be correct.   Even though this is wrong I agree with  @lewm  and really like how this cartridge sounds on the Ikeda than on my lighter  tonearm. My speakers do reach very low bass response and I do get some woofer pumping with this setup. My woofers face backwards so I didn’t notice at first. I don’t think this is very good for the speakers and no longer use this setup. Do you @lewm get this woofer action at all using your FR arm in this way.