**** Can your Audio System be too Transparent? ****
Of course... IF the goal is to maximize enjoyment only according to what pleases our own personal ideas about what constitutes enjoyment and not to extract as much of the music as possible, which may be the ultimate and most enjoyable goal for someone else.
The reason is simple. With any diminution of system “transparency” there will be a diminution of musical information. Inescapable. This is why a truly great recording will sound fantastic on a mostly transparent (none are entirely transparent) system and won’t sound as good if that system is made less transparent. A crappy recording can be made to sound less crappy by reducing the system’s level of transparency; but, at what cost?
One of the problems is that we focus almost entirely on frequency response related issues which are what determine musical characteristics such as timbre and ignore the relationship between timbre and rhythm, a component of music which is arguably even more musically important; and, the nuances of which are usually almost entirely ignored. If we aim to make our systems less transparent (enjoyable?) with the focus only being timbre or other frequency response related issues we will invariably diminish (distort) rhythmic nuance and impact.
Personally, I don’t buy the “certain gear for certain music” approach. Only a system that can reproduce the impact of a great Rock band can, in my experience, do justice to a recording of a great symphony orchestra going full tilt playing Stravinsky. Of course, pragmatism dictates that we aim for some sort of balance between ultimate transparency and the realities of the quality of most recorded music.
Of course... IF the goal is to maximize enjoyment only according to what pleases our own personal ideas about what constitutes enjoyment and not to extract as much of the music as possible, which may be the ultimate and most enjoyable goal for someone else.
The reason is simple. With any diminution of system “transparency” there will be a diminution of musical information. Inescapable. This is why a truly great recording will sound fantastic on a mostly transparent (none are entirely transparent) system and won’t sound as good if that system is made less transparent. A crappy recording can be made to sound less crappy by reducing the system’s level of transparency; but, at what cost?
One of the problems is that we focus almost entirely on frequency response related issues which are what determine musical characteristics such as timbre and ignore the relationship between timbre and rhythm, a component of music which is arguably even more musically important; and, the nuances of which are usually almost entirely ignored. If we aim to make our systems less transparent (enjoyable?) with the focus only being timbre or other frequency response related issues we will invariably diminish (distort) rhythmic nuance and impact.
Personally, I don’t buy the “certain gear for certain music” approach. Only a system that can reproduce the impact of a great Rock band can, in my experience, do justice to a recording of a great symphony orchestra going full tilt playing Stravinsky. Of course, pragmatism dictates that we aim for some sort of balance between ultimate transparency and the realities of the quality of most recorded music.