OK, dinner's over and I'll finish the last posting I made. The question was the "young lions", and who do I recommend? Tough one -- truthfully, there aren't very many young players on the scene who fire me up. Many of them have great technical proficiency, but there music lacks "soul". Stanley Crouch once defined jazz as "the sound of surprise", and very little that's being done by young artists has that quality. A quick scan of the Downbeat Reader's Poll in the December edition reveals very few players who haven't been at their craft for some time (many for decades). The "newer" group (on the scene for 10-15 years) that's worthy of mention would include artists such as Wynton Marsalis (tr), Branford Marsalis (sax), Terence Blanchard (tr), Greg Osby (sax), Donald Harrison (sax), Joshua Redman (sax), Kenny Garrett (sax), Brad Mehldau and Gonzalo Rubalcaba (p), Christian McBride (bass), and Mark Whitfield (gtr). I realize that's a pretty short list of "young lions", but the truth is that jazz, in my opinion, isn't very creative right now. It's either bland, or repetitive, or derivative, or all three. A lot of reasons have been offered, but the reason that seems most logical to me is that most young musicians are learning jazz in the conservatories, and not by playing in clubs and being challenged by other musicians (as did jazz musicians for the first to years of the art form). So, in short, I don't have much to offer on jazz from the mid-1990's until now. If anyone has some suggestions for me, I'd really welcome it. Before I close, however, I want to go back to our discussion on Miles Davis and his great groups of the 1950's. Columbia has recently released a boxed set of Miles and John Coltrane's work, "The Complete Columbia Recordings". If your favorite Santa isn't astute enough to buy this set for you, give yourself a gift -- it's great!!