The question I have for APL is that given the huge following, why stay as modded specialist? Why not go further now you have that following and start commercial production? The problem I have with modded players is not with their quality but reliability: and not really just the players but the mfr-dealer-after service. Perhaps if I lived in the States would be less of a problem. But there are so many smaller companies that come and go in audio and personally don't like taking that risk: or more accurately want to reduce that risk if possible.
Ayre C5xe or APL 3910 ?
I not too long ago heard the Ayre C5xe and was totally blown away on all formats at the amount of resolution, detail retrieval and it's dynamic yet smooth sound. I must admit I'm ready to pull the trigger on it, but before I do just wanted to know if there is anything better in it's price class of $6K or less. So far what comes to mind is the APL 3910 at $5K but there is no way I can possibly audition one of these so I would like some insight from those of you who have heard both players. Please, lend me your golden ears!
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- 52 posts total
- 52 posts total