the sound of massed violins in classical orchestral recordings


why do massed violins have this sort of gritty sandpapery reverberation in classical orchestral recordings?even in some sections of a piece, when the violins are playing softly in the background, you hear that gritty overtone more than the melody.when I listen to the Houston symphony in Jones Hall,sitting fourth row, facing the violin section, I don't hear that sound.I have three systems { two of them mid-fi ] and I hear the same thing-even with headphones.in all instances, the other parts of the orchestra are clear.  my main system : Vanalistine Trancendence 10 tube preamp,a 35 year old solid state Proton D1200 amp, [have tried NAD,Project, Musical Fidelity amps--they don't sound any better],Onkyo dx7555 CD player [Stereophile class B],and Project Carbon turntable with Grado Black 2 cartridge [ the Ortophon Red was too bright ] through Magnepan MG12/QR speakers.Tried a highly regarded Elac speaker--no change as far as the violins go, but way inferior to those dramatic Maggies.So, there you have it. Is it the equipment? Is the state of the art not up to recording violins? Is it me? [its o.k.-I can take it}. In closing,a couple of years ago,I had phone conversation with a well known person associated with a major speaker company about this. His response :[ paraphrased ] Violins are a problem--don't like 'em.  Any input will be appreciated. Thanks.
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sniff9 yes, as I mentioned, when starting this thread, I don't hear any of this roughness from the Houston Symphony in Jones Hall. I have often gotten a seat 2 to 3 rows back in front of the violins just to listen for it, since the phenomenon has been bothering me for years.When I attempt talk to audio salespersons about this, the usual response is "...don't know anyone here who listens to classical."
Perhaps this is Audio's dirty little secret, or as you put it more charitably, it creates "a significant strain on the technology."
I have A LOT of digital and analog orchestral recordings. Many of violin concertos. No idea what you’re talking about. I always eat smooth resolved playback. Even from vinyl records.

Probably your magnapans. ESLs do have distortion.
 the proton d1200 amp can produce 540w/1000w/1500w   20ms          '450w/650w/800w  100ms                                                                                 '380w/500w/520w  200ms                                                                               'duty cycle  500ms                dynamic headroom at 8,4,2ohms 7.3db    'should be able to easily handle any crescendo that Beethoven,Mahler,or Orff can dish out,n'est pas?