Rooze:
Hi, I do listen to the 3 for extended periods with no issues. I’m not sure what you mean by “drama” as it plays my slow melodic smoky female jazz albums as well as my bombastic albums. I find that the 3 does in fact breathe like the best of tube stages. I can totally see someone preferring a different stage for different types of music (I do myself). I understand that you love the Allnic and to you it may do some things better than the 3. I think my EQ 500 does some things better than the 3 as well. I have decided to make the 3 a permanent part of my system. So I will be running the AMR, Luxman and 3 on my 4 arm table. The London Ref is going to play via the 3 as they compliment each other in the areas of transient response and dynamic range.
Its a remarkable sounding stage. I still look at it sometimes and can’t believe the sound I’m experiencing is coming out of that tiny box. I once owned the Graaf GM 70 phono stage and had about $1.3k worth of NOS tubes, the 3 destroys that unit in all areas.
Hi, I do listen to the 3 for extended periods with no issues. I’m not sure what you mean by “drama” as it plays my slow melodic smoky female jazz albums as well as my bombastic albums. I find that the 3 does in fact breathe like the best of tube stages. I can totally see someone preferring a different stage for different types of music (I do myself). I understand that you love the Allnic and to you it may do some things better than the 3. I think my EQ 500 does some things better than the 3 as well. I have decided to make the 3 a permanent part of my system. So I will be running the AMR, Luxman and 3 on my 4 arm table. The London Ref is going to play via the 3 as they compliment each other in the areas of transient response and dynamic range.
Its a remarkable sounding stage. I still look at it sometimes and can’t believe the sound I’m experiencing is coming out of that tiny box. I once owned the Graaf GM 70 phono stage and had about $1.3k worth of NOS tubes, the 3 destroys that unit in all areas.