Goldring 1042 Anti Skate Too High on Dead Wax


Hi all,
I have always set anti skate as per the title  near the vinyl label with a slight movement towards the spindle.
Just bought a 1042 and can’t set it low enough to stop it sliding to the outside. All set up on my Notts space deck with 9’ space arm. Set up perfectly (he says).
Does anyone have experience of this or what might be the cause.
VTF is 1.8g
Dist of bearing to spindle is 210mm.
Tonearm level.
Platter level.
Aligned using Notts template as usual.
Previous carts such as a lyra Helikon have set up fine but still quite low force needed, probably 1/4 of available.
If I hold the anti skate counterweight up so no anti skate the tonearm stays still???
Answers on a postcard please!

nedhogan
Post removed 
Mijo, On the Wally site it suggests not to use the anti-skate bands on certain test LPs. I don’t know whether that would include the one you recommend.
I am also gratified to read the following paragraph on the Wally site:"IMPORTANT: Using a blank record or the groove-less area of the inner run-out on a record to adjust anti-skating so that the tonearm remains stationary is not a recommended method to adjust anti-skating as it results in about 50% too much anti-skating force applied."
This is an advisory I have given to many,including the OP. Take note, OP.  Also, the point made by the Wally site, that there is no single perfect setting for AS, is why I suggest setting by ear, starting with no or very low AS.  At that point you might hear R channel distortion.  Then adjust the amount of AS upwards in very small increments until the distortion goes away, and no further.  One cause for your finding might be something dragging on the pivot, causing it to behave as if it has high friction which resists the skating force per se.  Check tonearm bearings.
I wonder if it's the bearing. It's a unipivot and have no frame of reference as never had one before. It is a wobbly thing. Goes a mm forward and back and rotates maybe a degree or so. Seems to sit fine when playing though and sounds good.
Thanks lewm. I read that passage as a plus for a blank record. It is only 50% too high if it stands still. It is best to let it still move in slowly. Enough for the run out to just to say catch it before the loop groove. That is what soundsmith recommends.
They seem to say a test record is worse.
Funny what different people take from things depending on what they are looking for, 'A FAR WORSE method is the use of "anti-skating bias tracks" found on some test records'.

Hey it sounds a lot better at 2g by the way. It also seems to have toned down in only about 4hrs of run in. They say it takes 40. I'm looking forward to what it's like after then.