Bump, have the persona 7f in my listening room right now where the salon 1 & 2, usher be20dmd, Kanta 3, a couple 90’s kef Reference the VA strauss And Beethoven have spent time. These are easy to power, so I would suggest a quality 50 wpc over a powerhouse ‘affordable’ unit. I’m using my hegel h360 but I’ve heard these with a few pieces driving them and I wonder if the Pathos I liked them so much with at the shop would make the same magic here? Not bright, no sibilance, but I can understand why some folk say so as the detail in the midrange is uncommon and bass is tight. The speakers with the Hegel do seem more like surgical instruments than musical instruments, but its early days and I haven’t spent any time on placement yet, I may not they’re really fun as they sit. I’ll add more as I spend time with them.
Paradigm Persona series
I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s. I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels). So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass. However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information. The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers. What could possibly be the science behind this claim? It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
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- 470 posts total
- 470 posts total