Dynamic range - effect on different speaker cables - even very high quality ones

Millercarbon
" Point being its very hard to get it all just right. Its also very hard to know when it is being done just right. That’s because the exact same problem we hear with this one speaker cable is repeated across every wire and component in our system, and on up the recording chain as well."

Did your actually read my post? The problem is NOT repeated across every wire or component. That was the whole point of my message, so I really cannot appreciate your generalisation, when I specifically described my reality and obvious, and strange  differences in two cables with rrp in excess of £20k each.
Another poster wrote his $390 cable was the best ever. Chaps, can we up the game a bit and try and explain the issue. If no-one knows, then fair do, the issue will be unexplained until I find the right source/font of knowledge. I just thought some Audiogoner might have come across. something similar. No problem if not.

The primary reason I answered tatyana69 as I did is because I have worked with sets of cables for many years now. It seemed clear to me that when a person expresses confusion, ignorance of the potential outcomes of mixing cables, which can vary widely, as demonstrated in the OP, that they are not employing proper methodology in system establishment. Ergo, my response was more relevant than realized. 

Methodology is irrespective of the level of equipment, and one can spend prodigiously and still get mediocre results, or results that are not completely satisfactory, for the capital spent. Sensitivity to direct guidance in that regard will not change the fact. The amount of capital spent has zero relevance to use of proper methods to attain superior sound. If tatyana69 wishes to ignore my advice, he/she will likely continue to flounder and not move in any directed way toward improvement of the system with cables. It's playing at system development (A lot of us do, and it's fun, too, in its own way) when you simply place in assorted cables, completely disregarding - often arrogantly so -the work of cable designers/manufacturers who design their cables for a specific result. It takes more money, time and effort to do comparison of sets, and that is why most avoid it. But, it is the only way to advance a system directly toward one's goals. Disagree? Fine, do things your way. But, let's not play the game of, "I spend more than you, so my methods are superior," as that is nonsense. 

In regard to tbankin63's comment; I am currently working on review of a set of cables that cost thousands. The designer is a person who safely could be said is one of the most knowledgeable engineers on cables on the planet, and who specifically used the science, measurements to direct development. One of the greatest defenses of being chintzy in audiophilia is the attempt to skewer people who are deemed "unscientific". That's a bit harder to do when a world class engineer used LCR measurements to design cables, and discusses openly how the changes to such parameters obviously change the sound. 

You can look for the review when it comes out at dagogo.com  

:) 

Many employ poor methodology in establishing systems, which is why I developed my principle:  The greatest impediment to advancing an audiophile system is the audiophile. 

I can’t wait to read the objective, unbiased, non-self-interested peer reviewed journal study.  Such crap

I never knew wire could be over saturated with sound. I think most know changing resistance in cables can change the sound the question is why pay thousands for wire tone controls when it's so much cheaper and easier with EQ.

Sure, EQ a low end result all day long if you wish.  :)