Parasound's Hint 6's new volume control provides huge sonic advances?


Promotional language for the (relatively) new HINT 6 says this: "New Burr-Brown Volume Control:
The Parasound HINT 6 is packed full of technical advancements. The new, upgraded volume control replaces the original model's motorized potentiometer and sliding mechanical contacts with a Burr-Brown electronically controlled analog resistor ladder volume control. Technical advancements in the new volume control offer a more distinct sound stage by increasing the dynamic range, lowering the noise floor, improving left-right separation and maintaining absolute left-right channel tracking at any volume level."

I'm not a skeptic, but am trying to learn.

QUESTION: How does a volume control affect so many elements important to the sound?

I almost never look to the details of how an amplifier's volume control is designed. Is it this important?
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Reading an Ayre VGT circuit description here
https://www.soundstageultra.com/index.php/equipment-menu/90-ayre-acoustics-kx-r-preamplifier-and-mx-r-mono-amplifiers in the paragraph that begins "First, in a traditional preamplifier, " it sounds like they have an input buffer before a gain stage that follows the level control. YAWN.

If you can’t dazzle them with brilliance, baffle them with bullsh!t.
I can't answer ..look at the potentiometer Steve McCormick designed for his statement preamplifier.
Then there is the system employed in 'The Truth' where there are no capacitors, resistors nor potentiometer in the signal path except for the photocell. I have built line-stages using the very good DACT pot and Guido Tent's switched relay system which is also very good with accurate channel tracking etc. but The Truth reveals the two systems mentioned to colour the sound. It is simply the cleanest way to control volume that I have heard. The improvement over the DACT is much greater than the DACT is over other pots like Noble or Alps

The much lower noise floor produces detail I did not know was there. Of course everything else is improved. Imaging, bass weight, huge dynamics and overall clarity and purity of notes. Terence Blanchard's trumpet is now awesome.
Photocells are semiconductors & thermally sensitive.

It is very difficult to ascribe sonic purity to a particular attenuation method as the surrounding circuitry and packaging all affect the sound.
@ieales, you state: Photocells are semiconductors & thermally sensitive. So what exactly are you saying? You saying I don't or shouldn't prefer the photocell system?

In all your above posts you have criticised whatever has been mentioned, so please tell us what perfect attenuation you use.