Audiophile system for Techno and Dance music


Hello fellow audiophiles. What would be your choice of speakers (and other components) for audiophile listening of Techno (!) and Dance music, in a moderate size room ?
128x128bellemusique
Two very different recommendations that would sound awesome with the Swarm would be:

- ATC SCM40 v2
- Spatial Audio X5 or M3

Both use pro drivers but similarities absolutely end there.  ATC is sealed-box design and need power while Spatial is open baffle and relatively easy to drive.  I’d probably pair either with a good Class-D amp from D-Sonic, Bel Canto, VTV, Nord, etc.  Just a couple other ideas FWIW, and best of luck in your search. 
Klipsch Forte III Speakers with a Primaluna EVO 400 Integrated Amp.
Seriously works well together and sounds better than one can imagine. Covers all genre of music effectively and also knows how to rock! 
They look great and fit in with most interior designs as well. Retro looks with a modern sound. Trial them... you'll be glad you did.
Massive SPL, huge volume cannot possibly compete against a highly resolving sytem, even for Techno or any other EDM music.
I am not saying my 400 watts per channel doesn't perform, and cannot play loud. However I will state that low distortion, high resolution is certainly more engaging.

@twodolphins not sure if you like Trance of not, but I've now got two of Above and Beyond's live acoustic albums and I am lovin' them. Thanks for introducing me to Oliver Lieb, I quite liked it actually. I will investigate more of your artists listed as well. Cheers brov.
A7s are obsolete basically (I had a pair of 'em in the 70s), as my experience as a current live sound tech has shown. For a fraction of what hifi stuff costs, you can get a pair of (for example) powered Mackie SRM 450s V2 (neo bass driver, etc.) and a powered 18" bass bin or two (out of business DJs sadly may be a good source for this stuff) for relative peanuts, and the sound quality can astonish...cleaner and better dispersed highs than any A7, much more robust drivers and bulletproof amps.
@rixthetrick --

Massive SPL, huge volume cannot possibly compete against a highly resolving sytem, even for Techno or any other EDM music.
I am not saying my 400 watts per channel doesn’t perform, and cannot play loud. However I will state that low distortion, high resolution is certainly more engaging.

One thing doesn’t exclude the other, nor can it do without both in this case. Massive SPL *capabilities* and huge volume translates into ease and very low distortion (lower distortion than most commercial speakers out there) at most any SPL one may desire in a domestic environment, and such a system can as well be very highly resolving. We’re not talking lowest grade Cerwin Vega’s or other boom boxes here (not to speak badly of C.V. per se; the XLS 215’s are decent sounding all-round speakers, underrated or misjudged even, at a very reasonable price), but high quality prosound drivers used in configurations spanning from commercial offerings like Audiokinesis, JBL, Classic Audio, OMA, PBN Audio, JTR and others, to the more outright pro segment including cinema speakers, studio monitors and a variety of other selectively chosen sound reinforcement speakers from the likes of Danley Sound Labs, Electro-Voice, Meyer Sound, K.C.S., JBL and others. Run these actively, preferably and if possible, with quality gear, and I’d be glad to show you that you can indeed have one and the other: massive SPL capabilities, huge volume, low(er) distortion and very high resolution - the combination of which I’d say is what really makes named genre of music tick, and not only that genre.

One example of a pro speaker that can hold its own against most anything is the (no longer in production) Meyer Sound X-10:

Sonically, the Meyer Sound X-10’s kick the hell out of nearly every consumer speaker in the market in term of dynamics and power. They play more loudly. They play more clearly. And they have better bass than nearly any consumer speaker money can buy. I couldn’t disagree with you that they are an odd shape and that they do not have industrial design by Jonathan Ive or Pininfarina, but if you cue up a good recording of a drum kit - there is no one speaker more capable of reproducing the explosive, resolute power of the instrument than the Meyer Sound X-10’s. Blast a shotgun from a movie with an HD soundtrack via Blu-ray and you might reasonably check to see if you have been shot. Where many high end speakers shine best with string quartets and more modest musical compositions - the Meyer Sound X-10s thrive on complicated material. You can play car crash movie scenes in DTS Master Audio at 120 dB all day long without a hint of fatigue, fade or loss of resolution. Play Stravinsky’s Firebird Suite or Mahler’s Tenth at full orchestral levels while listening in a Le Corbusier chair and make your own Maxell ad.

https://hometheaterreview.com/meyer-sound-x-10-powered-loudspeakers/

User "review"/feedback of the commercial tower version of the X-10:

https://www.audiosciencereview.com/forum/index.php?threads/meyersound-x10-speakers.12437/#post-41510...

Meyer Sounds current über offering, the Bluehorn system:

https://www.whathifi.com/features/ultimate-accuracy-listening-to-80000-meyer-sound-bluehorn-system

Above are expensive pro speaker examples, but the good thing is excellent quality here can be had cheaper, not least bought used.