High end Class D amps?

There was very good "power DAC" technology 15 years ago. As fewer and fewer analog sources are in play, this will become more and more dominant.


I am sure George will find reasons to put down these two amplifiers you linked, but alas, no description of how EPDR or anything else matters.

Find out yourself sunshine, why should bust my ***** trying to explain to a brick wall. There’s plenty to read here.
Educate yourself, 3 pages of it. for you to "try" to understand maybe?
https://www.stereophile.com/reference/707heavy/index.html

And there you have it folks.

Throw the old dog a bone and he chokes on it. Georgehifi has clearly stated he is unable to explain how EPDR will impact a Class-D amplifiers ability to drive a load. I hate to say I told you so, but I told you so.
Hint to the old dog, there is nothing in that article that relates to Class-D.

Do you even know how to read an SOA graph? I am going to guess no. You don’t understand this graph:

https://www.stereophile.com/images/archivesart/707HL_Fig3.jpg


In a Class-D amplifier, the voltage across the device is effectively 0 (or close to it). That means the devices operates on the graph effectively on the left vertical axis at 0 volts. The limitation is pretty much the device current rating. Practically it will be a bit to the right of that as there is dissipation due to RDSon and partial conduction for nanoseconds while switching.

Funny you can find tons of time to attempt to bust every Class-D thread and to chase fusers ad-nauseum, but you can't even put a few of your own words together to explain why EPDR could matter to a Class-D amp. I know why you don't. It is because you can't.  You would rather bash Ralph from Atmasphere and others not here to defend themselves with falsehoods. That is not honest behavior.

And there you have it folks.

You have nothing but your ignorance and being a fuser, and your persistence in the future shilling of whatever Class-D project you seem to have, could be with an old OTL maker the way your so persistent with wrapping him in cotton wool.

It seems whenever “Class D” amps are mentioned they brought up a bunch haters. They are relatively cheaper to make and they don’t look as impressive as Class A amps for sure. They typically come in smaller package and are way too light compared to those expensive Class A monsters.
Regardless how they sound, they just don’t feel high end enough to some. I have owned Krell Class A monoblocks, BAT tube monoblocks, and Vincent hybrid monoblocks before. Currently I’m breaking in a pair of PS Audio M1200. So far I really like them. 
Monoblocks sounded better than stereo amps that I agree.