No one can answer that question but your ears. I swam in audiophile waters for decades seeking the resolute yet warm waters of non-fatiguing amplification and transducers. Tube guy I was. Rogers LS3/5As. Give me some more safe moderate aural schmooze.
In the end analysis I’ve bolted and ran towards exciting, dynamic, slamming, immediate attack when I want it. I run my ATC SCM 40 actives moderately 95% of the time. When I want Shostakovich in my face at 112 decibels, then I open up the throttle and bathe in a symphonic tsunami.
I’m convinced only active can get you there. A bit disheveled perhaps, but you will arrive!
In the end analysis I’ve bolted and ran towards exciting, dynamic, slamming, immediate attack when I want it. I run my ATC SCM 40 actives moderately 95% of the time. When I want Shostakovich in my face at 112 decibels, then I open up the throttle and bathe in a symphonic tsunami.
I’m convinced only active can get you there. A bit disheveled perhaps, but you will arrive!