Feef, Muriel is very interesting; while obviously influenced by Trane, she still has her own message. I will add her to my collection. Thanks for submitting Muriel.
Is Modern Jazz an Oxymoron?
I am a huge jazz fan and 90% of my listening time is listening to instrumental jazz artists from the classic jazz era of 1950's to 1970's. Excluding jazz singers and a few more recent jazz artist who play classic jazz style I can't stand modern jazz.
My question to jazz fans is if it is my limitation or is this a common thing amongst classic jazz fans? Or did you finally come around and learned to appreciate modern jazz? If so which artists?
My question to jazz fans is if it is my limitation or is this a common thing amongst classic jazz fans? Or did you finally come around and learned to appreciate modern jazz? If so which artists?
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This is the first time I ever heard Muriel Grossman, and naturally I am comparing her to "Trane". I saw "Trane" at a nightclub that didn't even have a stage for the performers. A space in the middle of the floor was allocated for them to play in. We, my girlfriend, another couple, and a professional drummer (it seems every professional musician in town was there) had a table next to the space where the musicians were playing, (that's so much more intimate than an auditorium) When I closed my eyes and listened to Trane, he was right in my ear. His sound is printed on my mind like no other; he was playing the soprano sax at this performance, and Muriel also plays the soprano sax. The point I want to make is that my intimate connection with Trane enables me to make a comparison like few others. The differences (sound and presentation) between the two are concurrent with their physical appearances. If you listen intently, you will hear where I'm coming from; her sound while similar to Trane, has a beautiful femininity, his sound has a strong masculinity. I believe Muriel will stand the test of time and create great works over many years. https://www.youtube.com/watch?v=7nxpGUNs6Mo |
- 71 posts total