Half the information on CDs is analogue


I would like to argue that one of the reasons that some transports sound significantly better than others is because much of the information on a given CD is actually analogue (analog) information.
An excellent transport does not just read digital information: 1s and 0s (offs and ons); it must be sensitive enough to pick up the other information that has been stored as a physical property of the CD medium. This 'physical' information, like the tiny bumps in the groove of a vinyl record, is analogue information.

Before I say more I'd like to hear what others think.
exlibris
Sean,

The point that i was trying to make was not that digital sucks ( it definitely can ) or that analogue is better ( it definitely can be ), but that i ( and several others ) could hear MASSIVE differences between the two.

quality analogue recordings and playback remain the audiophiles "best friend".

It is all too clear that your meaning is "redbbook CD digital sucks", even though, in your round about manner, you pretend otherwise.

These beliefs fly in the face of engineering and technical progress. Clearly digital technology is everywhere in every facet of our lives....from cell phones to cars to business systems to most medical equipment in hospitals. If analog was MASSIVELY better then why is digital so pervasive?? Some kind of conspiracy perhaps....I don't think so.
Shadorne...For many, if not most, applications, a digital implementation is both superior in performance and lower in cost. However, one cannot jump to the conclusion that this is true for every application: eg: audio. (But I do agree with you, mostly).

Sean...Not all Redbook CDs "suck". I have a few that are really superb, as good as most SACD or DVDA. This has mostly to do with the skill and care (not to mention luck) applied to the recording and mixing of the program.
As to vinyl being "better" it all depends on the meaning of "better". (Sorry Bill). If one is distracted by pops, clicks, and surface noise, and annoyed by having to get up halfway through a side to clean a fuzz ball off the stylus it is hard to appreciate the sound.
I like the sound of LPs but there are just too many things about the format that frustrate me.
It is disappointing that Laserdisc didn't catch on. It was certainly the most user-friendly analogue medium and I really think it had the potential to sound better than vinyl.
I'm surprised that someone hasn't invented a new analogue medium since its demise. There has got to be something better than vinyl and magnetic tape.
I think I'll start a new thread.
Regarding CD vs vinyl...

As one who who has been actively involved in music and audio electronics since the 1960's, I get the impression that many of the modern vinyl adherents seem unaware of just how many medicore and even spectacularly bad LP records have been produced over the years. I can't count the number of just-out-of-the-shrinkwrap records that were full of noise, pops and crackles. It was always tempting for a record pressing plant to extend the life of the stampers too far and/or use lower quality vinyl to save money.

There were also records pressed using distant copies of the master tape instead of an earlier generation. It would sometimes be quite surprising to find the variance in quality between my copy of a record and someone else's.

Of course, I've heard outstanding music from LP recordings, but the shortcuts taken and inherent problems of this system are in their own way the equal of any problems I've seen in the digital arena.
That is one of the 'frustrations' that I alluded to.
I remember dropping $30 to $50 on a few "audiophile" LPs only to find that they sounded awful.