Thank you again atmasphere.
Given the haphazard wiring behind the XLRs and non-adherence to AES48 of many amps, I am indeed lucky (just that) to find my system is free from hum and other obvious non-matching artifacts and appears to have a very low noise floor - I hear nothing on no-signal until I turn the volume pot up a long way.
For reference, I (believe) I run fully balanced throughout. Ortofon A90 on a Simon Yorke Aeroarm though a bespoke SY connection box into a van den Hul The Grail SB phono amp, Audio Research Ref 6, vintage Krell KRS200 monoblocks.
It seems wrong that getting the benefits of running fully balanced should be such an uncertain adventure.
And if nothing else, these exchanges have revealed the truth about the alleged benefits of high-end cabling.
Given the haphazard wiring behind the XLRs and non-adherence to AES48 of many amps, I am indeed lucky (just that) to find my system is free from hum and other obvious non-matching artifacts and appears to have a very low noise floor - I hear nothing on no-signal until I turn the volume pot up a long way.
For reference, I (believe) I run fully balanced throughout. Ortofon A90 on a Simon Yorke Aeroarm though a bespoke SY connection box into a van den Hul The Grail SB phono amp, Audio Research Ref 6, vintage Krell KRS200 monoblocks.
It seems wrong that getting the benefits of running fully balanced should be such an uncertain adventure.
And if nothing else, these exchanges have revealed the truth about the alleged benefits of high-end cabling.