Anyone buys master tape dubs ?


They are $300-$600 from reliable sources. Are they worth it ? Not that I am thinking of it at present..
inna
I have about 100 albums on 15IPS tape - mostly original production/distribution masters from CBS & Jugoton plus a few from Tape Project.
I archive them onto new RTM tape stock (either SM900 or LPR90) with Dolby SR, as well as a digital archive using a Prism Sound Lyra 2 A2D interface. The digital copy owing the Lyra 2 is pretty much indistinguishable from the original tape.
How do you store and playback digital copies ?
It is interesting that AD plus DA conversions maintain about the same sound quality. I would think that something would be lost, not to mention noise.
some of us run all three and can discern the relative strengths and weaknesses. High speed tape is fantastic, so is a world class A2D and DAC, or a great LP system.... music lovers will chase more than one I think, out of necessity and of course rewarding the artist...

have fun, do upgrade those deck electronics and do level match between sources, some people just like the gain juice.....and don’t know why.....
and if you go one step further to tube based outboard playback electronics, the sound is even more mind blowing. I have a pair of MTR-15s and an 812.Originally hot rodded the stock electronics with better parts, made a really nice improvement. Then was over at a friends house who has an MTR-10, and had just added outboard playback electronics.......WOW, I was blown away, so ended up going that route. For those interested, not many options now for tube based playback electronics. Decware offers one, that sounds really good. Other option is to use a really good tube based phono stage and convert the RIAA EQ curve to NAB or IEC. One of decks uses an EAR 834 phono stage with the EQ changed from RIAA to NAB. Makes a great sounding tube playback preamp unit.