Speaker sensitivity vs SQ


My first thread at AG.

Millercarbon continues to bleat on about the benefits of high sensitivity speakers in not requiring big amplifier watts.
After all, it's true big amplifiers cost big money.  If there were no other factors, he would of course be quite right.

So there must be other factors.  Why don't all speaker manufacturers build exclusively high sensitivity speakers?
In a simple world it ought to be a no-brainer for them to maximise their sales revenue by appealing to a wider market.

But many don't.  And in their specs most are prepared to over-estimate the sensitivity of their speakers, by up to 3-4dB in many cases, in order to encourage purchasers.  Why do they do it?

There must be a problem.  The one that comes to mind is sound quality.  It may be that high sensitivity speakers have inherently poorer sound quality than low sensitivity speakers.  It may be they are more difficult to engineer for high SQ.  There may be aspects of SQ they don't do well.

So what is it please?

128x128clearthinker
No free lunches indeed. There are those who'd like to sell the idea that big means much more expensive, but to them boutique, often vintage drivers with field coil or alnico magnets in addition to luxury, hand-build finishes is the only validating entry into the high efficiency arena. Their (affiliated) business, obviously, but NOT representative of what's possible with high efficiency and large size at more reasonable prices that can as well produce great sound.

The real non-free lunch here is size (and the product segment typically associated with that), as we're seeing considerable expense being shelled out already for a speaker package not much larger than a meager shoebox. Sound is physics, meaning displacement and efficiency is irreplaceable as that which accommodates truer dynamic envelope, low distortion and ease - core parameters into what is perceived authentic as a live event, yet they're wildly neglected for above reasons; not price, but size predominantly and the product narrative that follows here. Last but not least: live sound mayn't be that big of a draw after all..
Clearthinker, good questions, great thread!You brought up all the eternal questions in audio - high power vs low power and high vs low efficiency, and of course, cost issues. Looking at the average audio product, 1 in 10 sounds very good, while the rest is mediocre to bad. (Due to flaws, or more frequently, due to equipment mismatching. Even for low efficiency speakers, you have to hear about 20 to find one great sounding. The same is true for high efficiency speakers, and given that it's rare to hear even a single one of those, and you need to hear 20 systems with them to have a comparable basis to low efficiency speakers. Most people do not get to that point, and as there's a minuscule chance that one trips onto a great sounding one right at the first try, the automatic assumption is that H.eff speakers are inferior.
The true difference between low and H.eff speakers is that H.eff speakers couple cone movement to the air much better, hence they translate much more of the audio signal to sound. As a result, you hear much more dynamic resolution, and you also hear much more of any defects the system has. It's not just the speakers issues are magnified with high sensitivity, but also the rest of the audio chain is forced to come out of hiding, and their flaws are exposed. That's why slid state amps sound generally quite bad or at least disappointing with them. Indeed, most tube amps have issues as well, but a good tube amp can be built in a reasonable budget that will sound good, while I have yet to hear a solid state amp that sounds even remotely acceptable once efficiency goes beyond 100dB/Wm.
The issues with H.eff were not just affordability but availability as well. The retailer can stock half a dozen to a dozen plus speakers in the same space that a single pair of H.eff speakers require. When a store owner can stock 5 pairs of speakers total, he's not going to stay in business. Also, while nowdays the price range for H.eff drivers went down, in the 50s-60s when the low efficiency speakers changed the scene the driver costs for H.eff drivers were much much higher than low eff drivers, and the relative cost of even a simple audio system rivaled that of a motor bike or a car, so the only choice really was the low efficiency version. Plus, who wants to give up half the living room space to a stereo system when you can get one that can be shoved onto the shelves? Also, you cannot sell the weak amps and sources with H.eff speakers as any deficiency will be glaring at you, so that's another key factor that limits H.eff and favors low eff speakers.
Class D for the low end is a very enticing solution, and is a fantastic compromise if you want H.eff midrange and top end. Yet, the stark difference in sensitivity between the two parts of the spectrum will come and bite our donkeys (or, asses). Your ears will come to realize after a while that there is a huge disconnect, and you will loose interest in the sound. To me, one of the biggest advantages of high efficiency is the efficient bass. It sounds first as if there was lower bass extension, because you are not getting that "pressurized" feeling that your head is about to explode with the sound pressure. However, you will notice that the sound is not a porcelain muppet freakshow anymore with angry goblins kicking your seat, but you are hearing much more natural presentation - base will sound breathing and alive, and when you turn the volume down the soundstage does not collapse.Amplifier power: for 100dB/Wm efficiency you need 60 milliwatts for a VERY LOUD volume, and you still have tremendous headroom even when using a 500milliW (half a W) amplifier. The quiet passages will play at microwatt levels - that is a few millionth of a watt! So, if you have an amp that excels at 6000W that;s not necessarily going to be a virtue here, as does it also excel at a millionth of a watt?
I have a youtube channel dedicated to audiophile education, (Real World Audio), and most of my videos are about these subjects, distilling my 20+ years of experience building & designing speakers and amplifiers.
Thanks realworld.
Congratulations on your perceptive first post here.  Keep 'em coming!

I note this thread is well into its 4th page.

You mention equipment mismatching.  How true!
In another recent thread dealing with: What's the most important element in getting good SQ, nobody had mentioned this in 40 posts, so I chimed in.  I say it may be the MOST important single element.  Certainly if you get it wrong.

But I am not in agreement with a generalised preference for H.eff speakers and tube amps.  My Martin Logan CLXs are 87dB so fairly inefficient.  But 400w of Krell Class A (real 1980s Class A, not today's pseudo stuff) does the trick. With +12dB on my pre-amp it's actually very loud at a quarter up.  I have no doubt that some big tube monoblocs would also do a good job. 

My speakers are big but panels.  As you say, to get this kind of SQ and H.eff I would need very big speakers indeed, probably with very high associated cost some of which I would recoup on smaller amplifiers and electricity bills.
Realworldaudio,

While I agree with some of what you wrote, ie that high eff speakers will reveal more amp issues, I can't agree with much else. They won't reveal any more of the signal chain than the amp.

I find other statements mainly conjecture based on implementation and nothing about hi/low eff.  Low efficiency speakers are not more dynamic and their bass is not more natural.  If you are running SE tube, good chance you have some frequency anomalies you like and those anomalies can be conducive to low level listening. 




also, as an ESL owner, I think about the sonic impact of transformers and edge clamping distortion as well as energy storage in the panel....ain’t no free lunch



Don't forget flexing and subtle mechanical movement of the panel :-).   Good post tomic601.   Lots of hand waving but at the end of the day you are either having accurate, low distortion movement, no matter the efficiency and amp, or you are not.