Wow, ok - now im beat, in more than one way.
BTW, in Raul’s cartridge ratings I’d have given this one a kindly 60—61.
He never rated that one either. Why? 🤔
I’m still baffled why my Cadenza Black sounds ’more normal’ than this super duper original Peer Windfeld ever did?!?
I’d rate the CB at 63+.
Some MMs I'd rate this high too, with a slight edge for timbre presentation.
So did I trade in a diamond (PW), for a more middling gem-stone (CB) ?
And what about similar findings like my own, posted on the web at the time?
Lastly why was it needed to upgrade this PW to a PW Ti, having A90, A95, Anna, etc. ?!? 🤔 This, if it is such a top performer?
It is hard to discard some year old long ongoing frustrations with such an item, I admit, as just a weird prejudice?
The original PW is close to CB in weight (a little heavier I recall), same body construction, same tracking force (VTF), 'same' (±) output voltage - and as for tracking ability... I even had some issues with sibilants, some more than I've now with my CB...😏
Finally I've had listened to some better presentations of MCs in my system than my now Quintet S and Cadenza Black (Transfiguration Orpheus, and some better Lyras come to mind), yet the PW just was reticent to all tweaking and adjustments.
And didn’t I try! As I had a hard time to accept this to be the case, it remained sort of ’flat’ / somehow harmonically restricted.
So it’s good to know others had more luck than I had.
Water under the bridge, eh.
😝
Michélle 🇿🇦