When is digital going to get the soul of music?


I have to ask this(actually, I thought I mentioned this in another thread.). It's been at least 25 years of digital. The equivalent in vinyl is 1975. I am currently listening to a pre-1975 album. It conveys the soul of music. Although digital may be more detailed, and even gives more detail than analog does(in a way), when will it convey the soul of music. This has escaped digital, as far as I can tell.
mmakshak
Adhoc,

"And for many other people too."

No for a precious few. 2000-3000 is not many people, and the number is shrinking everyday.

What's funny is I probably have more records than you do, analog's been around for my entire life and I think I understand it very well.

What is really high end analogic gear? How much do I have to spend in your opinion to get good sound from a used record? Tell me I'm interested in what you think it takes.

BTW; how many records do you own?
I can't for the life of me understand how you can pronounce digital superior to analog based on your gear. Go figure.
Audiofeel,

Did it ever occur to you that I might own other equipment? I think it's a bad mark on your character to disparage a system you have never heard or anything like it for that matter. What is shocking is my system has been picked twice over a system exactly like yours. Go figure, I would think I would have to whip out the Meridian to get a clear victory but that doesn't seem to be the case

Tubes and whizzer cones seem to have found an obstacle with my little surround system when it comes to playing music.

well I'm not worried about it.
I think the major problem is that certain formats don't allow for enough dynamic range (16 bit isn't enough for more than piano alone according to experts such as F. Alton Everest). The other problem with having the bits too low is you lose more of the sounds created by heterodyne. Even if you can't hear certain frequencies, some combine to create a third frequency which you can hear.
Jkalman,

excellent point, keep in mind redbook CD has a non linear application of bits, which favors compressed popular SONY music formats. It is why I make sure to state 24 bit digital.

24 bits suffers none of the ills of redbook. many digital processing units of higher quality now process above 40 bits. So sine wave capable digital is.

We need to move away from redbook Cd as the "digital" source, but when the people most concerned about sound quality in the home want to champion $5K+ analog systems and that vocal minority is in key media positions professing hanging on to LP's and buying used collections of mistreated vinyl as a gateway to musical glory.....the hobby will not move forward.

the heel dragging needs to stop, I'm tired of no serious R&D on multichannel systems and software, because audiophiles think two channels and LP's are superior.

Armed with a Meridian processor and some good speakers, I could put any of these two channel systems in the shed for good. Subjectivity? That's what they all say before they get the lesson.

You can always tell when someone is clueless about surround and high quality digital....they say it wasn't any good, then you ask them "why they didin't make it sound the way they wanted?" They don't even know what that means and you get dismissed. I guess if you're not changing power cords or adding Shakti stones, they don't undertsand.

well that's been my experience till now...good point jk