If you don't have a wide sweet spot, are you really an audiophile?


Hi, it’s me, professional audio troll. I’ve been thinking about something as my new home listening room comes together:

The glory of having a wide sweet spot.

We focus far too much on the dentist chair type of listener experience. A sound which is truly superb only in one location. Then we try to optimize everything exactly in that virtual shoebox we keep our heads in. How many of us look for and optimize our listening experience to have a wide sweet spot instead?

I am reminded of listening to the Magico S1 Mk II speakers. While not flawless one thing they do exceptionally well is, in a good room, provide a very good, stable stereo image across almost any reasonable listening location. Revel’s also do this. There’s no sudden feeling of the image clicking when you are exactly equidistant from the two speakers. The image is good and very stable. Even directly in front of one speaker you can still get a sense of what is in the center and opposite sides. You don’t really notice a loss of focus when off axis like you can in so many setups.

Compare and contrast this with the opposite extreme, Sanders' ESL’s, which are OK off axis but when you are sitting in the right spot you suddenly feel like you are wearing headphones. The situation is very binary. You are either in the sweet spot or you are not.

From now on I’m declaring that I’m going all-in on wide-sweet spot listening. Being able to relax on one side of the couch or another, or meander around the house while enjoying great sounding music is a luxury we should all attempt to recreate.
erik_squires
Some of us married more petite women but still think of ourselves as audio lovers.
No big deal.  I carefully choose my seats for the symphony so I am in the sweet spot for the particular room, and I choose a optimal seating position in my listening room.  I don't walk around when listening so what does it matter how wide the sweet spot is?
I can also (vaguely) recall that the spot one avoided 
incorporates most of letters in sweet.
My sweet spot only needs to be big enough to put my head in.  LOL, you may need an extra wide, I don't.
*G* My 'sweet spot' is currently out of town, but that's an another story unto herself... ;) *S*

@erik_squires ...you know how Anything posted is subject to 'topic drift'...*mea culpa*beats on chest*....(mine, not yours)

Mho, that's always been my 'issue' with the 'conventional' loudspeaker, the 'roll-off' one experiences when moving off-axis.  Which triggers the 'sweet spot fixation'; great for critical listening ses, not so much for the 'pause for the cause' day2day listening whilst occupied with the 'd2d'...

(Critical listening is when the TT is cued to one's fav disc, or the like....*S*  Everything is lit, and the fav imbibe in hand (or the equivalent), and all one wants is escape into the selection...)

For self, maps, and those of that distraction, Walsh, Ohms, and the other omnis do allow for both.  Yes, omnis are not 'Perfect' in the sense of razor blade reproduction.  To accomplish that, the room must be treated as an essential element of the equation...everything 'just so', to the point of surgical....

Nice if one can do so....most can't, as the sig 'other' will pitch a fit.  Some have noted, ah, 'excising' that source of complaint....

For whatever rationale, most don't want to 'go there'.  It IS pretty extreme, and tends to expensive....;(

The LS-50s' seem to be getting raves....Me, I'd 4chan and sub them, just because I'm 'bent' like that.  Since it's out of my expendable $'s, I'll stand by and keep playing with my diy's...

Cheers 'n jeers, J