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Preamp for Herron VTPH-2A

Ok, the eventual goal will be to try a Herron VTSP-360.  However, that is not in the budget, even used, until sometime next year.  So, I've decided to get an interim preamp.

I have approximately 3k to work with right now.  

I'd like to hear what VTSP-2A owners are using now or have used in the past with success.

As for other suggestions, here's what I'm looking for right now.

*Needs:

Gain - I need a preamp with gain.  Somewhere around 10db to 12db would be optimal.

Transparent.  I'm not looking for coloration.  I'd like to find one that does the best job of sounding like it's not there.

Input impedance:  47K or higher with on the SE inputs.

Line level only:  No phono stage, no DAC, etc.

*Preferences:

True balanced output.  Nice, but not necessary.  I'd like to place the turntable in a spot where it needs approximately 25 feet of cable run between it and the power amp, but can live with it if it stays near the power amp.

Tone Control Bypass (no tone controls preferable)

Remote control:  Nice , but not absolutely necessary.

*Don't care:

Tubes/Solid State. As long as it is sufficiently transparent, the tech doesn't matter.

Thanks in advance.  I'm sure based on the recommendation I got for the VTPH-2A, I'll get some great suggestions.

TIA
psychoticreaction
xaak
43 posts
 
lewm is correct.  Line source speakers have roughly half the propagation loss as point source drivers.

see https://counterstrikess.com/line-source-speaker-advantages/ for a good basic explanation.
psychoticreaction OP
37 posts
 
Preferences are just that.  It doesn't bother me if he prefers something different.  I haven't heard the PS Audio gear, other than an S300 amp which was impressive for the price.

Having said that, I'm thrilled with what the VTSP-2A did for my listening experience.  I don't need to second guess that.  I've never been a flavor of the month audiophile.
psychoticreaction OP
37 posts
 
Ok, so I've looked as some suggestions so far.

Audible Illusions L3A - Tons of gain (way too much?), has a reputation of burning thru tubes.

DENAFRIPS products look nice, I'll have to go thru reviews more.

Benchmark LA-4 looks very interesting.  I may try to get one to check out.  Reviews look almost too good to be true at the price point, but there's a 30 day return policy so it may be worth a try.

PS Audio BHK is out of the price range for now, even used.  I like their 30 day return policy.

EAR 868 is out of reach until next year.  Also, very limited US dealers so I'm not sure about return policy.

Vintage, no thanks.

Thanks for all the helpful suggestions.
lewm
13,108 posts
 
VAC, Pass, CAT, anything that uses 6SN7. Stay away from 12AU7 if used for gain. Some really good line stages may these days fall into the category of vintage, because to some degree an ordinary line stage has fallen out of fashion. A 20 to 25-year-old unit that is in excellent operating condition should pose no problems. But I understand your feelings about it.
chakster's avatar
chakster
6,144 posts
 
Speaker efficiency doesn't even come into consideration for me, only the sound. If I find a speaker that I like, getting the right amount of power is simple.


No simple and this is the reason you ask for active gain line stage when your power amp already 300 watt. I'm not gonna say your speakers are bad, but they are power suckers for a reason. 

Efficient speakers for the sake of efficiency is just another audiophile religious cult. Feel free to drink your cool aid, I'll stick to sound quality.

We are all for sound quality here, great high efficient speakers can be driven by 2-10 watt amp and passive preamp. Professional BIG studio monitors are high efficient, this is 101db. Main studio monitors must be absolutely neutral and must reproduce music in a control room just like in recording room where musicians are playing. High efficient is about dynamics in music, so it's about quality.  
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