VAC, Pass, CAT, anything that uses 6SN7. Stay away from 12AU7 if used for gain. Some really good line stages may these days fall into the category of vintage, because to some degree an ordinary line stage has fallen out of fashion. A 20 to 25-year-old unit that is in excellent operating condition should pose no problems. But I understand your feelings about it.
Preamp for Herron VTPH-2A
Ok, the eventual goal will be to try a Herron VTSP-360. However, that is not in the budget, even used, until sometime next year. So, I've decided to get an interim preamp.
I have approximately 3k to work with right now.
I'd like to hear what VTSP-2A owners are using now or have used in the past with success.
As for other suggestions, here's what I'm looking for right now.
*Needs:
Gain - I need a preamp with gain. Somewhere around 10db to 12db would be optimal.
Transparent. I'm not looking for coloration. I'd like to find one that does the best job of sounding like it's not there.
Input impedance: 47K or higher with on the SE inputs.
Line level only: No phono stage, no DAC, etc.
*Preferences:
True balanced output. Nice, but not necessary. I'd like to place the turntable in a spot where it needs approximately 25 feet of cable run between it and the power amp, but can live with it if it stays near the power amp.
Tone Control Bypass (no tone controls preferable)
Remote control: Nice , but not absolutely necessary.
*Don't care:
Tubes/Solid State. As long as it is sufficiently transparent, the tech doesn't matter.
Thanks in advance. I'm sure based on the recommendation I got for the VTPH-2A, I'll get some great suggestions.
TIA
I have approximately 3k to work with right now.
I'd like to hear what VTSP-2A owners are using now or have used in the past with success.
As for other suggestions, here's what I'm looking for right now.
*Needs:
Gain - I need a preamp with gain. Somewhere around 10db to 12db would be optimal.
Transparent. I'm not looking for coloration. I'd like to find one that does the best job of sounding like it's not there.
Input impedance: 47K or higher with on the SE inputs.
Line level only: No phono stage, no DAC, etc.
*Preferences:
True balanced output. Nice, but not necessary. I'd like to place the turntable in a spot where it needs approximately 25 feet of cable run between it and the power amp, but can live with it if it stays near the power amp.
Tone Control Bypass (no tone controls preferable)
Remote control: Nice , but not absolutely necessary.
*Don't care:
Tubes/Solid State. As long as it is sufficiently transparent, the tech doesn't matter.
Thanks in advance. I'm sure based on the recommendation I got for the VTPH-2A, I'll get some great suggestions.
TIA
- ...
- 55 posts total
Speaker efficiency doesn't even come into consideration for me, only the sound. If I find a speaker that I like, getting the right amount of power is simple. No simple and this is the reason you ask for active gain line stage when your power amp already 300 watt. I'm not gonna say your speakers are bad, but they are power suckers for a reason. Efficient speakers for the sake of efficiency is just another audiophile religious cult. Feel free to drink your cool aid, I'll stick to sound quality. We are all for sound quality here, great high efficient speakers can be driven by 2-10 watt amp and passive preamp. Professional BIG studio monitors are high efficient, this is 101db. Main studio monitors must be absolutely neutral and must reproduce music in a control room just like in recording room where musicians are playing. High efficient is about dynamics in music, so it's about quality. |
No simple and this is the reason you ask for active gain line stage when your power amp already 300 watt. I'm not gonna say your speakers are bad, but they are power suckers for a reason.Rediculous. Now your telling me I need to pick speakers I don't like just so I can use a passive preamp? Which can't be passive anyway because of the need for buffers to work with the Herron? There are compromises in any system, but I'm not going to compromise on my speakers any more than my budget forces me to. Don't hijack my thread and go preach your cult mantra someplace else. |
Hey, you don’t tell me what to do ok? I just posted some facts, I don’t care about your speakers, but the nonsense I read on audiogon about GAIN is just a result of those inefficient speakers, let’s face it. You can buy tremendous amount of power (huge amps, high gain preamps etc), but a good high efficient speakers can work perfectly without all that ... , just with 1.5 watt triode tubes and passive volume control (or passive preamp). I’ve been using inefficient speakers before. If you bought your phono preamp by audiogon member recommendation then you could learn a bit about GAIN and why it’s not enough gain for you in your system. 99 dB’s and above = ultra efficiency 95 - 98 dB’s = very high efficiency 91 - 94 dB’s = high efficiency 88 - 91 dB’s = medium efficiency ( most common ) 85 - 87 dB’s = low efficiency 85 dB’s and below = power suckers |
I own a VTPH-2A and use it with a VTSP-3A (r03). It is an excellent combination. Plenty of noise-free gain even when using a Clavis D.C. (0.2mv) and speakers ~ 87dB. Some speakers I've used with this combination have been ~ 85dB, one pair (single driver) came in a little below. No problem. (The Clavis D.C. has been replaced by a Lyra Skala.) I'm satisfied. I can identify no shortcomings with the VTPH-2A / VPSP-3A(r03) combination. They do not introduce any coloration, masking, veiling, hardness, softness or other distortion of their own. I have some listening experience with a VTPH-2A in combination with a VTSP-360. The -360 is a better preamp. To my ear. Matches well with the VTPH-2A (as should be expected). Note that at this stratospheric level of performance, there is little, if any, competition for either combination. One must take a hard look upstream or downstream to move the marker forward. If someone is going to purchase new equipment, the question is whether the VTSP-3A is still available. |
- 55 posts total