Pete - it seems that Jim Thiel and Richard Vandersteen shared very similar approaches to their art. Jim's subwoofers also used the power amp output, and Jim's room correction was also done in the analog domain, for the reasons you stated.
I love what Richard did with his main amp bass rolloff to be re-boosted in the subwoofer - brilliant.
My wonderment includes that those two designers existed in such separate spaces: their products were never, that I know, compared; and their fans and users rarely overlapped. Interesting how markets and brand niches develop.
The cable thing is, in my opinion, a bigger deal with coherent speakers. I've spoken to the point previously, but to summarize I believe the ear-brain scrutinizes the music more critically when its coherence suggests real rather than reproduced music. When you get it all right, it's really right.
I love what Richard did with his main amp bass rolloff to be re-boosted in the subwoofer - brilliant.
My wonderment includes that those two designers existed in such separate spaces: their products were never, that I know, compared; and their fans and users rarely overlapped. Interesting how markets and brand niches develop.
The cable thing is, in my opinion, a bigger deal with coherent speakers. I've spoken to the point previously, but to summarize I believe the ear-brain scrutinizes the music more critically when its coherence suggests real rather than reproduced music. When you get it all right, it's really right.