The Ashly 3.24 is new to me and very interesting. It appears the output delays are OK for typical subwoofer locations, but the manual doesn't say anything about maintaining phase linearity in the crossover filters.
Copland DRC205 digital room correction
Hi, has anybody known or used this new "equalizer"?
It seems a really good product, useful and extremely simple to understand, designed build around a Lyngdorf/Dynaton logic process.I've not found many informations about it, could you tell me how does it work really? Is 205 at the level of TACT or is it sloser to a Behringer DEQ2496???
I would like to try it in my listening room (a square plant room...) but in Italy it is very difficult to find and testing.
Thanks in advance for your support, sorry for my english but I've studied another language at school (and now I have to pay private lessons :-((( , I prefer buying CDs)
Massimo
It seems a really good product, useful and extremely simple to understand, designed build around a Lyngdorf/Dynaton logic process.I've not found many informations about it, could you tell me how does it work really? Is 205 at the level of TACT or is it sloser to a Behringer DEQ2496???
I would like to try it in my listening room (a square plant room...) but in Italy it is very difficult to find and testing.
Thanks in advance for your support, sorry for my english but I've studied another language at school (and now I have to pay private lessons :-((( , I prefer buying CDs)
Massimo
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- 49 posts total
- 49 posts total