EXTRA! EXTRA!! Millercarbon Proven Wrong!!! Read all about it! EXTRA! EXTRA!!


Been a long time now saying no one will ever DIY anywhere near as good as what you can buy already made. Never in a million years. Well, I have been proven wrong.

Not like I shouldn’t have known better. I Met both Caelin Gabriel and Ted Denney around 1992, back when they were not that far from being DIY’ers themselves. So it is not so much that it can’t be done, as it is just astronomically unlikely.

Okay, well so anyway that’s what I was saying, good luck you will never do it. Someone decided to call me on it, and took the unusual step of sending me a power cord to hear for myself.

This first one I got, we will call him Mr Black. I was actually quite surprised how good it was. Real solid imaging, spread across a sound stage nice and deep and wide, with plenty of dynamics and gobs of detail and extension. Only problem, no bass, the sound overall was thin and the top end extension a little too much. I let it burn in playing CD hoping it would warm up and round out but it never did get there. Captivating as the sound stage was the lack of bass and body eventually got too much and I moved it aside. Figured oh well not bad for DIY went back to my old Shunyata and sort of forgot about it.

Until he checks back, we get to talking, and he drops the bomb, “Yeah I was going for real good imaging with that one. I have much better now, way better.” Really??!?! “Would you be interested in evaluating?” Would I?!?!

So I get these two power cords, we will call them Mr White and Mr Silver. Mr White looks exactly like the first one, except white not black. Mr Silver is thinner and stiffer, almost too thin to be your typical audiophile type power cord. With nothing else to go by I decide to start with Mr White.

Right away, and I mean immediately, this thing is impressive as can be. All the great 3D imaging, incredible speed and resolution of Mr Black, only Mr White is superbly balanced top to bottom. This has me pretty gaga, not least because this is straight out of the box. It was late, I was pressed for time, just thought what the hell might as well get this over with. But now I am sitting here trying to understand how any power cord - let alone one some guy made at home - can be doing this to my system.

Couple days later I am calling and being told yeah, friend had a Nordost Odin 2 to compare and this is at least as good. ? I have never heard Nordost Odin, 1 or 2, but by now I am finding it hard to argue.

What am I hearing, with 10 maybe 20 hours on it? The Holy Grail of audio, at least as far as I’m concerned, is infinite speed with zero edge. Nothing really does this. Everything super fast always winds up being etched, or hard, or thin, or hyped, or anything other than what I want which is full and round and balanced AND light speed fast. My ears are sensitive to glare and so forced to choose I will take full and round and balanced over fast. It is just a more enjoyable listening experience. All the best components in my view capture both of these sort of conflicting goals. Tekton does, with electrostat speed combined with big box fullness. Townshend does, improving perceived speed by lowering the noise floor while eliminating ringing. Herron, Koetsu- pretty much everything in my system is oriented along these lines.

Mr White is pushing on the edge of this envelope. It is even smoother and fuller now, but without losing any of the initial speed.

I actually had these before the F1 came but held off writing about them partly out of respect for Max Townshend, who is actually running a business, and also partly because it is just kind of hard to believe the darn thing really is this good. Thought maybe with the F1, which are even cleaner and more revealing than Synergistic CTS, maybe it might reveal some problems with Mr White. He is after all home-brew. Cannot possibly have the thorough vetting of a “professional” product.

But no, both these truly exceptional lengths of wire are fine together. So fine I was reluctant to try Mr Silver. Unable to comprehend how he could be better, unwilling to listen to anything less. I get spoiled fast! 😍 But I put him in there and at first thought he might be even better. But it was just the impressively palpable presence and solid stage. After a while it was clear Mr Silver is not as superbly effortlessly detailed and fast as Mr White. Not quite as good bass either. Bear in mind the bass we are talking about being "not quite as good as" is really, really exceptionally good! The main difference between the two is a bit of glare.

But when I say glare, this has to be taken in context. I never, ever thought of my Moabs as having any glare. Until they were on Podiums, at which point they were- comparatively. The glare wasn’t the Moabs, it was the ringing, now eliminated by the Podiums. Synergistic CTS never seemed to have any glare or grain- until compared with Townshend F1. Same kind of thing, a ringing that presented as a hard edge or glare is gone now, and for the better. Mr Silver is indeed a fine power cord in its own right. Just not up to the exalted level of Mr White. I suspect few, if any, are.
128x128millercarbon
They were about as thick as an elephant’s trunk and stiff and heavy.


One should look up the orignal Eichmann cable filter/enhancer item to understand (early/mid 2000’s?), a bit better, what is going on with power cables. Or look at the construction of anti cables, and think for a bit.

Then consider the high tension transmission line, and look into how such a thing works. Hint: all the intelligence in it... is in the field. A bit of a misnomer to state it this way, but essentially...the wire is just a guide for the field.

Then look at how high end power cables are built and ponder some more.

One could think of power cables, the biggest or most physically obese ones.... as more of a noise enhancing impedance drag on field effects.

likened to a re-expressed or customized in it’s behavior ---ferrite bead.

There’s no magic to it and I have ignored that entire area of endeavor for a reason.

I don’t think it’s wrong, per se, but I don’t think it’s entirely the correct way to do things, either. A difference is an effect, but is it the right one?

People are getting something out of using power cords of such a nature.... but is it the right thing to be doing? Granted there is some goodness, but how far is too far?

When are we entering into the area of false enhancement via noise addition to transient draw on the field that is emmeshed in the complex materials arrangement/set... that surrounds the wire element core?

When does good design, for the right reasons (as it cascades through multiple minds and manufacturers)...finally enter the area of foolishness and wrong headedness?
Ayre recommended Cardas to me.  As a matter of fact, Ayre cables are actually Cardas manufactured and just a bit different from the branded cables.   To ME, the Cardas sounded awful
I’ve been using Cardas in my Ayre system for years and have been super happy. In fact, I replaced the hookup wire in my Thiels with Cardas litz. To my ears it was the icing on the cake of several crossover upgrades, bringing the sonic picture into coherent focus. 
I have noticed Cardas needs a couple weeks break-in and I can imagine some listeners preferring a different cable, but “awful”? Really?


To Miller Carbon and any others who think that cables made of copper or silver get OLD, this is just a comment and a question.  I know cables can sound different, I've heard such differences myself.  Mostly those differences have to do with attenuation, RFI, cable length and connectors. 
   I'm not trying to show anyone up or pretend to know better than some "expert."  I lot of the people on this site have much broader experience than I do, and they have spent more money for their audio setup than I ever will.  BUT -- every ounce of copper or silver on planet earth is older than planet earth and can only be created in the last dying seconds of a stars life as it goes super NOVA.  Then and only then do the pressures and heat exist to combine hydrogen atoms into these elements.  So, how is it possible for a 16 year old cable to be too old.  The connectors may be corroded, or they can be damaged, but they are not too old.  If you clean the connectors, on both ends, and check for damage, they will work as well as they ever have. Perhaps you can buy a better cable than your old one, but it will not be because your cable is too old.

Pretty darn cool when people send you stuff to evaluate like that, isn't  it? Of course that will never happen to the people who mock instead of listen. So we got that going for us.
Congrats on being able to admit you are wrong about something. It's a valuable tool; however, if self promotion was the most valuable tool you would be the King of all Men.

assetmgr-
To Miller Carbon and any others who think that cables made of copper or silver get OLD 
Whatever gave you that idea? Not from anything I ever wrote! Read it again.

teo_audio-
the wire is just a guide for the field. 
Good one. Keep thinking along those lines.  

woots-
Great posts MC.  Appreciate you and the transparency.  Thanks for sharing your knowledge and insights.

I understand, that, for some people who already know everything about audio this post may not be for them; but, for those of us still looking to learn and gain insights on "all things" Audio, I appreciate people who are willing share their stories so others may benefit. 

Good to hear. That is indeed what it's all about. Thanks!