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Best tube amp for electrostatic speakers

For over 35 years I've almost exclusively used either ribbons or electrostats with solid state amplification and have been generally happy with the sound. Over the last several years, though, my hearing has become somewhat degraded and more sensitive to certain frequencies. The frequencies which seem to cause the most discomfort occur in the 1400 to 1900Hz range and come across as "bright" to my hearing. After researching this matter and having been given some expert advice, I've decided to pursue the idea of replacing my present amplification equipment with tube based gear.

The purpose of this post, then, is to solicit advice regarding the best approach to making this decision based on the following information: the current basic equipment is Shanling Solid state CD player, Peachtree Audio Nova used as preamp, two DBX 1531 EQ's to help compensate for age related hearing loss, Peachtree 220 amp, Silversonic T114 cable and Martin Logan Ethos speakers.

The listening area is our living room measuring 15 by 22 feet with my listening position 16 feet from the plane of the 2 speakers which are positioned 11 feet apart measured center to center. Located between the 2 speakers is an entertainment center which is about 9 feet wide. My listening interests are varied from solo guitar and light jazz to occasional orchestral music. I don't generally listen at high volumes and am not particularly interested in strong bass except for the rare action movie background.

Unless not advisable for some reason, I would like to keep the Peachtree Nova as a preamp because of the significant latitude for source connection and what seems to have a decent internal DAC. If this option would substantially defeat the purpose of the intended modification I would work around it. I can no longer deal with sounds that are "bright" which I now find uncomfortable but detailed sound is very important.

So, the questions are: is the move to tubes the best option and, if so, what might be some reasonably priced amps that could accomplish the goal. This, of course, would take into consideration room size, etc. for determining power requirements. If there are other more practical and less expensive options to consider, I would appreciate that advice as well.
128x128broadstone
labtec
189 posts
 
I run Zero's on all my speakers (Maggies) and they even help SS amps.

On my other system, I use a SS McIntosh on my Wisdom speakers and that amp includes autoformers...so they don't just benefit OTLs.

Personally, I haven't seen the problem that Ralph mentions about overusing them (i.e. using the higher multiples), but autoformers are really speaker tweaks and not amplifier tweaks, so it will really depend on each speaker.

Maybe he can elaborate on his experiences with multiplying the impedance too much and/or any suggestions for the optimal impedance target range for his amps and others.

Even though I don't use his amps, Atmasphere is someone's advice you can really rely on and trust...which is very rare on these boards.
broadstone's avatar
broadstone OP
310 posts
 
I may be in over my head in my following comments but here goes. In the process of trying to determine where my hearing is most sensitive I used a test CD which steps sound frequencies from 20Hz to 20kHz. This is how I found that frequencies between 1400 and 2000hz are the most uncomfortable. The recording, supposedly presents fundamental frequencies throughout the test range so upper level harmonics based distortion would be minimized. However, because the CD is being played through my amplification equipment, and if this equipment is what's adding the distortion, whether or not it is the base frequency or the distortion of it that causes my specific problem isn't resolved.

I tried the same test using a computer based tone generator and got the same results, though, so I'm beginning to think that at least a big part of my issue is a simple sensitivity to those fundamental frequencies between 1400 and 2000Hz which, btw, correspond closely to the frequencies of my tinnitus.

That being said, and assuming that distortion, in my case at least, is not the only factor producing harshness, I'm now concerned that simply changing my amplification equipment may not be the answer. Because I now use EQ's, I could attenuate the culprit frequencies but even I know that this is would introduce potentially worse problems.
detlof
1,899 posts
 
Perhaps I'm being naive, so forgive me for asking, but have you ever tried the same procedure you describe on another system? If not, you could perhaps narrow down your problem even further.
I should mention though, that I presupposed, when writing the above, that you ran your computer based tone generator through your system as well.
atmasphere's avatar
atmasphere
11,960 posts
 
Running tones like that is not a good way to tell what's going on- you are not the only one that would find tones like that unpleasant. In fact all the audiophiles I know don't listen to raw tones.

If you find a particular recording that seems unpleasant on your system, it might be worth it to play that recording on another system and see if you still think the same thing of it.
broadstone's avatar
broadstone OP
310 posts
 
Thanks. That, of course, makes sense and I have tried the same offending CD's on 2 other systems, one of which was my own located in another room; the other was a setup belonging to a friend. I found the discomfort to be similar at the same point in the music from all. I guess that should tell me something but I'm afraid to conclude what.
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