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Technics SL1000 MK3 (SP10 MK3) performance/value VS modern turntables?

I have a Technics SL1000 MK3 in beautiful condition and in it's lifetime has seen very little use.
I am ready to send it off for complete electronics restoration/upgrade, upgrade the speed control processor module and have the Krebs mods done.  Will cost about $2500.00 to have all this done.

I was wondering how this would compare to what is out there for modern turntables after all the work is done? 
Or, would I be better off selling it, and adding what I was going to spend for the upgrades to a new turntable?
I believe these should sell in untouched condition for at least $5K?  So that would put me in the $7.5K range for a modern table?

For tonearms, I already have:
New, unmounted Moerch DP8
Fidelity Research FR64S, in beautiful condition that I sent off to Ikeda/Japan and they re-wired (better silver wiring, I still have original wires) and completely tore it down and rebuilt/re-lubed.... it's just like a new FR64S.

I think this table would be hard to beat at the $7500.00 price point, but would appreciate others opinion.

Rick

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au_lait
348 posts
 
@albertporter Thanks for that detailed info on the TTM Monitor mat. It’s the best dive heard as well. I have the shinier one, looks like the 2nd iteration, I’m glad I went through the trouble having a friend hustle me one from a local market seller in Moscow, was no small feat! I’m still hunting for the the oil damped clamp though, and have been using the Micro ST-10 for some years. Still want to hear the Micro gunmetal.

My other SP10 MK2A uses the Jeweltone / Nagaoka GL-602 Crystal mat, which is interesting but I haven’t truly compared to anything yet as they’re in different locations and different systems. (This is also discontinued but I found a guy in Czech Republic with some warehoused NOS, if anyone is interested shoot me a DM.)

I have also tried Funk Firm Anchromat and Herbie’s Way Excellent II mat.
lewm
13,160 posts
 
Mats come and go, and it’s common for the best of them not to be recognized as such until they are no longer being produced, whereupon they become”rare” and the expensive. We audiophiles are a crazy bunch.
lewm
13,160 posts
 
"and expensive", not "and the expensive".  Autocorrect on my iPhone.
chakster's avatar
chakster
6,144 posts
 
Micro Seiki mat was one the best from the beginning when it was made in the 70’s, it was an expensive mat from the start, maybe not as expensive as today, because a MINT- condition of everything from the 70’s and 80’s is normally expensive (even cassette tapes from the 90’s are expensive today, some of them cost $250 each).

Apart from many other that looks like rubber (or even worst) those Micro mats (CU-180 and CU-500) are beautiful mats and it’s huge benefit too.

Micro Seiki COPPER mats are inspiration for others and today instead of Micro people can buy less expensive from gunmetal mats from Tenuto or very expensive pure copper NEW mats from Artisan Fidelity.

All those copper mats are beautiful and it’s hard to arguing about it.

Most of the other mats are absolutely ugly compared to them.

I don’t have mk3, but for Mk2 this is the mat (CU-500). For Technics platter it’s simply amazing!




au_lait
348 posts
 
Mats come and go, and it’s common for the best of them not to be recognized as such until they are no longer being produced, whereupon they become”rare” and the expensive. We audiophiles are a crazy bunch.

Exactly haha. To be honest though, I've spent most of my life digging for obscure music all over the world, in moldy basements and junk shops, so doing some detective work to find an ultra rare Japanese mat is just exactly the kind of fun challenge that makes me happy. And if it doesn't live up to expectation there is always resale!
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