bdp24 -- While digging through my now dusty stash of recording/live performance equipment, I realize the microphones I used for the majority of my live recordings are an MXL V67 Q stereo mike and the microphones that are attached to my Zoom H4n Handy Recorder. Both pieces of equipment bought at Guitar Center in Sherman Oaks. What a zoo...if night quite as wild a zoo as the Guitar Center Hwd. The SM58 was my vocal mike used in my rock-and-roll days.
TONE
So, hear is my latest conundrum(well, perhaps that is a little bit of a hyperbole)...
I enjoy my current system immensely, but do not actively compare it to others or seek listening to live music...I remain pleased with my systems dynamics, soundstage, detail, BUT am always wondering about TONE...being we all, more or less, have limited audio memory, I imagine only musicians who are regularly acquainted with the TRUE TONE of live instruments can recognize the accuracy of the TONE of an audio system....I guess I kind of answered my own question, in saying I enjoy my system, BUT any advice/thoughts/suggestions about how one satisfies this concern?
I enjoy my current system immensely, but do not actively compare it to others or seek listening to live music...I remain pleased with my systems dynamics, soundstage, detail, BUT am always wondering about TONE...being we all, more or less, have limited audio memory, I imagine only musicians who are regularly acquainted with the TRUE TONE of live instruments can recognize the accuracy of the TONE of an audio system....I guess I kind of answered my own question, in saying I enjoy my system, BUT any advice/thoughts/suggestions about how one satisfies this concern?
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- 50 posts total
- 50 posts total