Old Amps that can still Kick Butt


Not being a believer that time necessarily = progress, I would like to offer the following example of a sonic gem that has transcended time and can totally kick butt in a modern milieu:

The Robertson 4010. I got one of these about two years ago because it was in immaculate condition, the price was so low and I was inquisitive. I hooked it up and let it warm up for a couple of days. OMG this thing was in the super amp league: Transparency to die for, slam that you couldn‘t‘ believe for for a 50W amp.. Peter Moncrieffe wasn‘t wrong in his review of this amp: this thing is in the Sterreophile Class A component category hands down. Even after all these years.

What amps have you encountered that have defied time and can still kick butt today?


128x128pesky_wabbit
Pair of Krell KMA 160, 160 Class A that can handle any speaker load thrown at them. 
@douglas_schroeder  Your admiration of Class D amps is interesting. Have you heard some of the better amps mentioned in this thread? My example of the ARC D70Mk2 or the M100's for instance...each of these shows up all of the bleached and bright sounding Class D amps that I have ever heard. YMMV.
daveyf, I have heard a lot of ARC gear over the past 30 years at dealers, shows, homes. I would not go back for any of it. Imo, the best ARC pre/amp were the past two years of AXPONA.

We are likely on the opposite ends of the warmth and coloration spectrum in preference. Even better tube/SS amps are occluding older recordings (i.e. 50 years) that with the i.V Ultra topology are opened up, revealed gorgeously at higher levels, and without any of the noise and distortion added by Class A, A/B and tubes. It’s a stunning experience, without strain, whiteness, etc associated with cheaper, previous class D.

Last night I was using the Eastern Electric Minimax Tube DAC Supreme with the i.V4 Ultra and achieving a sound quality level unmatched by some far pricier rigs/amps using both class A, A/B and tubes. Even the upper end gear is being outdone by the IcePower module featuring IceEdge technology. If current designs are being bested, I have no interest in returning to vintage. I would only do so if cost was the overriding concern. :)

I liken this development to the wider acceptance of Open Baffle speakers versus dynamic. Over the years I have come to dislike the box coloration of dynamic speakers. If I detect too much of it, I am unhappy. Increasingly I turn to OB and dipole to rid the sound of the cabinet contribution. Some prefer this, and would think OB and dipole to be "wrong". There’s hardly a happy medium in such cases. If you inherently think the warmth/syrupy/heavy sound to the bass, etc. IS good music, then likely no class D will satisfy and you would likely think the old amps are terrific. But, to me they are distorted, adding damaging character to the music. They also do not have the capacity to drive speakers dynamically like the i.V Ultra series and other class D now.
Just as I have worked to eliminate perceived box colorations in speakers, I am working to eliminate unwanted indistinctness and occluding of the signal in amplification. Once the improvement is heard, it is understood.

You may not want to be at the same destination sound as me, but trust me, there is a world of difference happening with certain modules/amps of class D now.