the spendor sp100 is the ONLY speaker i ever regretted selling, and i have been at this pursuit since the early 80’s - if the price of this pair of r2’s is anywhere near reasonable, you would be well served to buy them and enjoy them (these almost never appear used) - these are not headbanger speakers - but for any acoustic, vocal, orchestral, pop or jazz music they are among the very best ever - for the balance of all traits valued by music lovers - clarity, tonality/timbre, rhythm, top to bottom coherence, full range response, midrange tactility and warmth, detail presented in a natural way - there have been various reviews over time by the leading reviewers touting their excellence, just search online and you will find
you do need proper stands and a room large enough to run these speakers well away from room boundaries or the bass response may overwhelm
other great thing about the big spendor is their (relatively) high efficiency and benign load, so reasonable powered, lovely tube amps can do the job
it is true what @twoleftears says... the successive revisions of the spendor sp series (now called ’classic’) from inception to present have led to a gradual, subtle treble lift and some damping of the bass - highly analogous to what harbeth has been doing with its speakers in .2 and .3 and ’anniversary’ and now their heavily marketed xd versions... basic character of the speaker is the same (no one will ever mistake these for a focal kanta, magico a3 or wilson sabrina and their sizzly, hyper hifi nature) but the sound is being ’modernized’ at the margins for more perceived clarity and speed and absolutely volume capability
you do need proper stands and a room large enough to run these speakers well away from room boundaries or the bass response may overwhelm
other great thing about the big spendor is their (relatively) high efficiency and benign load, so reasonable powered, lovely tube amps can do the job
it is true what @twoleftears says... the successive revisions of the spendor sp series (now called ’classic’) from inception to present have led to a gradual, subtle treble lift and some damping of the bass - highly analogous to what harbeth has been doing with its speakers in .2 and .3 and ’anniversary’ and now their heavily marketed xd versions... basic character of the speaker is the same (no one will ever mistake these for a focal kanta, magico a3 or wilson sabrina and their sizzly, hyper hifi nature) but the sound is being ’modernized’ at the margins for more perceived clarity and speed and absolutely volume capability