Johannes Brahms
VIOLIN CONCERTO IN D OP. 77
Nigel Kennedy (violin)
The London Philharmonic
Klaus Tennstedt
EMI 1991
Notes: "For the most part, composers can be divided into two groups: those who copy other composers, and those that totally disrespect the past, reject it, and write something 'totally new'. Brahms was too rare to come from either of these categories. He correctly saw himself as being responsible for the development and evolution of the mainstream of classical music. Instead of copying or rejecting the work of his great predecessor, Beethoven, he developed and expanded Beethoven's music into a kind of music we can only call Brahms."
allegro non troppo
https://www.youtube.com/watch?v=Q_iRiq0bzoY
adagio
https://www.youtube.com/watch?v=XAnbMxdW0zk
allegro giocoso, ma non troppo vivace
https://www.youtube.com/watch?v=M0oNfOrI0ng
Cheers
VIOLIN CONCERTO IN D OP. 77
Nigel Kennedy (violin)
The London Philharmonic
Klaus Tennstedt
EMI 1991
Notes: "For the most part, composers can be divided into two groups: those who copy other composers, and those that totally disrespect the past, reject it, and write something 'totally new'. Brahms was too rare to come from either of these categories. He correctly saw himself as being responsible for the development and evolution of the mainstream of classical music. Instead of copying or rejecting the work of his great predecessor, Beethoven, he developed and expanded Beethoven's music into a kind of music we can only call Brahms."
allegro non troppo
https://www.youtube.com/watch?v=Q_iRiq0bzoY
adagio
https://www.youtube.com/watch?v=XAnbMxdW0zk
allegro giocoso, ma non troppo vivace
https://www.youtube.com/watch?v=M0oNfOrI0ng
Cheers