indeed. they look like such a gimmick so i hope the sound is better than that
underwood hifi has a GaN amp coming out, so he's not the only game in town.
underwood hifi has a GaN amp coming out, so he's not the only game in town.
After 50 years, I have finally found my destination amps... AGD Audions!
I will never forget my first system. When I went away to college I bought a $199 Pacific Stereo special-Niko receiver, Lenco TT and Quadraflex speakers. That was 1971.I don't know how many upgrades I have done since. But, by far, finding the "right" amp has been the quest for the holy grail. And after decades of different SETs, finding a SS amp that will satisfy a SET guy has been problematic... until now. I was first inspired by Forum member's rave comments. Then looking at the reviewers, I found the unique and consistent phrase "best regardless of price". With the end users and reviewers all agreeing, I decided to try a pair of AGD Audions.
Within minutes, I understood what everyone was saying. Now, after about a month of listening, I am convinced that I have indeed found the "holy grail". A SS amp that completely satisfies a SET guy... and more. I am thrilled daily by the way the Audions grab me. Now, it is no longer merely listening. It is being enveloped by a sound that opens a window into the musician's hearts and souls. They do so with an incredible lack of distortion, detail and transparency. I have never heard anything like it. Excuse what appears to be hyperbole but now hearing the Audion mono blocks I am overcome with the emotion I hear and emotion I feel.
I have come to understand that AGD Class D amps are indeed unique. The designer, Alberto Guerra, has a long background in integrated circuit development holding 10 patents including those for the MOSFETs used in AGD amps. The galium nitride modules are the only, and patented, GaNs designed specifically for Audio. All other GaNs were designed for battery chargers, radar or lidar, etc. Alberto, like Nelson Pass and SITs, owns all these GaNs made.
These amps are extremely fast. Their switching frequency is far beyond other Class D amps. AGD amps sound organic and natural with great realism like a SET but with liquidity and slam. The definition and immediacy puts them above any SET I have heard. The “tube” on top of AGD amps is a kind of tribute to the original 1906 Audion tube even though they are not vacuum tubes. They do however contain the full output stages. This contributes to heat dissipation and is a clever way to make the amps good for future upgrades. No need to ever buy a “new and improved” model. Just replace the tube. Alberto has issued a Mark II tube which is already used in his new amps and available for older.
Some would question the unique cosmetic design but once they are heard they become very beautiful. And, personally, I find them very attractive beyond the normal metal box. And the attention to fit and finish is of a high level including two excellent power cords and flight cases for shipping.
AGD amps are my final, destination amps. I am thrilled daily. My only considered upgrade would be to the top line Gran Vivaces.
Within minutes, I understood what everyone was saying. Now, after about a month of listening, I am convinced that I have indeed found the "holy grail". A SS amp that completely satisfies a SET guy... and more. I am thrilled daily by the way the Audions grab me. Now, it is no longer merely listening. It is being enveloped by a sound that opens a window into the musician's hearts and souls. They do so with an incredible lack of distortion, detail and transparency. I have never heard anything like it. Excuse what appears to be hyperbole but now hearing the Audion mono blocks I am overcome with the emotion I hear and emotion I feel.
I have come to understand that AGD Class D amps are indeed unique. The designer, Alberto Guerra, has a long background in integrated circuit development holding 10 patents including those for the MOSFETs used in AGD amps. The galium nitride modules are the only, and patented, GaNs designed specifically for Audio. All other GaNs were designed for battery chargers, radar or lidar, etc. Alberto, like Nelson Pass and SITs, owns all these GaNs made.
These amps are extremely fast. Their switching frequency is far beyond other Class D amps. AGD amps sound organic and natural with great realism like a SET but with liquidity and slam. The definition and immediacy puts them above any SET I have heard. The “tube” on top of AGD amps is a kind of tribute to the original 1906 Audion tube even though they are not vacuum tubes. They do however contain the full output stages. This contributes to heat dissipation and is a clever way to make the amps good for future upgrades. No need to ever buy a “new and improved” model. Just replace the tube. Alberto has issued a Mark II tube which is already used in his new amps and available for older.
Some would question the unique cosmetic design but once they are heard they become very beautiful. And, personally, I find them very attractive beyond the normal metal box. And the attention to fit and finish is of a high level including two excellent power cords and flight cases for shipping.
AGD amps are my final, destination amps. I am thrilled daily. My only considered upgrade would be to the top line Gran Vivaces.
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- 61 posts total
Mbolek I run an analog only system through Tetra 606 speakers.(91db 6ohms minimal) My front end is a Woodsong Garrard 301, Triplanar arm, Lyra Atlas SL cartridge and Atma-Sphere MP-1 preamp. Ralph Not sure I understand. If Alberto does hold a patent on the GaNFETs, are not his modules then uniquely designed and one of a kind. (other than the “tube” enclosure) Surely this is the case for much or some central part of the design? Are you saying that AGD are not unlike other GaN based amps? |
atmasphere06-15-2021 8:01am To be clear, Alberto does share a patent on GaNFETs (US8847408B2). And the modules he makes are of course designed for audio. But it appears to me that you've conflated the modules with the GaNFETs themselves, and the latter cannot be specifically designed for audio. This is because class D are switching circuits which have a lot in common with switch mode power supplies and the like. Put another way: there isn't a way that the device can be specialized for an audio switching application where it will not also benefit a switching power supply or battery charger in exactly the same way. I believe mglik's information comes from a 6Moons review or maybe direct conversation with Alberto. From 6Moons quoting Alberto: "...The device I use was developed very specifically for class D audio, *not* for power supplies, low-voltage points of load or RF circuits. Hence the key figures of merit for the device were optimized for best performance within specific voltage ranges, frequencies and current..." and "...On why nobody else can use his KT88 GaN, it's like with Nelson Pass' proprietary static induction transitor. Alberto acquired the entire remaining lot..." |
Not sure I understand. If Alberto does hold a patent on the GaNFETs, are not his modules then uniquely designed and one of a kind. (other than the “tube” enclosure) Surely this is the case for much or some central part of the design? Are you saying that AGD are not unlike other GaN based amps?I'm sure the modules are uniquely designed! That to me is really obvious. But at the same time the circuit design is probably very similar to other class D self-oscillating circuits. It would of course differ in how the circuit is laid out and what parts are used. All class D designers are faced with the same circumstances in this regard. The idea of the output device being designed specifically for audio sounds a bit like hype to me. GaNFETs are desirable for three reasons- the speed of them, they low resistance ON state and the reverse conduction characteristic. While these things benefit class D amps, they also benefit other switching circuits as well. |
- 61 posts total