Kuzma 4Points and Lyra carts

I have owned both the 4Point9 and the 11 inch 4 Point. I found the latter much better. The 4Point9 sounded quite lightweight to me - very much like most of the unipivots I have owned (although I know it is not strictly a unipivot). The 11 inch 4Point sounded much more substantial and more satisfying. I did use mine briefly with a Lyra Etna SL and the combination seemed fine.
Ultimately, however, I found both arms a little dull sounding and sold both in favour of a less expensive - but to my ears more musical - Audio Origami PU7. But you may love the 4 Point, as most seem to do. I would definitely recommend the 11 inch version over the 9 inch, however.

On the issue of Fremer and 9" arms, my view is that Fremer accepts anything that Marc Gomez of SAT says as gospel. Gomez believes that all things being equal it is more important for a tonearm to have a low moment of inertia and that 9" is best among the common lengths. That is not my view mind you. I love my Reed 10.5 and 12. I don't give a rat's patoot what Fremer thinks. Particularly when he is just repeating someone else's belief system. 

Ok. Next question.  What choices did you all make regarding cabling choices.? Cardas Clear? Kondo Silver? Kuzma silver plated copper?

I went with single wire Silver/Gold conductor and deluxe Kuzma mounting collar and terminated with Furutech CR-126R, RCA because that's what Albert Porter recommended as best for the buck. From Albert... 

"Some of these are insane cost, for instance the Kondo “upgrade” on a 4 Point 14” is nearly $3000.00.   I made the decision to go SE,  knowing that the Kondo can be lean sounding and I don’t like any of the Cardas clear cables.  SE is a great balance and I liked it so much, I ordered a second Kuzma 14” with the same options."

A great example of why I decided long ago to go only with arms with integral phono leads. Granted you probably can find some really good phono interconnects. But the first thing that IC has to do is overcome the distortion and losses of all the extra connections. You could buy a pretty fine arm for the cost of the phono interconnect alone. Say you are planning on a $5k arm and $3k phono interconnect. How good an arm could you get for $8k? With integral lead? A helluva lot better, that’s for sure!