Blindfold Speaker testing


So if we made a  experiment where a  group of seasoned audiophiles had to choose  which speaker is best over all, 
6 brands all hidden behinda  curtain.
5 top dawgs in the xover box low sens design and 1 of the high sens PS design. How do you think the results will come out?
But we will not tell the group what speakers are behind the curtains, They will have no idea 1 of the speakers is Point Source. 
How do you think the, or lets say which 1 speaker do you think would come out on top?
No lets do this, Lets give the  group a  list of 5 speaker brands, Walsh, Wilson, Tannoy, and 2 others which are very popular, like Joseph with the Seas. 
and 1 more,
The mystery speaker is not listed, so they have no idea what speaker it is.
The ? speaker is the high sens Point Source.
Now Richard Gray hosts this *guess which speaker event* as he is a  master of these types of gimmicks and  has seasoned audiophiles fooled every single time.
Which speaker do you think will make top of the list in results??
I know.
The Mystery Speaker.
Then Richard pulls the curtain and reveals the winner.
 SURPRISEE
Got ya
The Hifi Guy


mozartfan
You know, I just cked out a  massive 3 way Edgar Horn system with 15 inch sub on Youtube, pity we did not get to hear it perform. Anyway, after watching the owner give his history of this massive 4 way *ultimate* FullEST range speaker, I got to thinking, of what requirements do I need to voice the music I listen to, classical. 
Much of my collection is chamber, solo instrument, small orchestra, all the way to full symphony sound stage.
This style of music  is not so dependent on sub fq's , nor super high hz's. 
Jazz, both light, and heavy swing full orchestra jazz, does present  different spectrums in the soundstage fq range. 
Plenty of drums, bass guitar, here the bass and tweeter will be pushed to demands  which a  *wide band* may not deliver to meet the satisfactions of the audiophile. 
I get that.
The *meat and potatoes* fq's  of classical music  fall  solid and heavy in the midrange hz's. 
It is this midrange hz's hich according to some reviews, where wide band single drivers really shine. 
My search for this *golden voice* of midrange may be finally over.
Only IF I can get the KT88 PP amplification to work with this higher sens wide band driver.
When I get the wide band, I will borrow 2 other amps from my local tech, his EL34 modded single mono blocks Dynaco mark4's, pair of EL34 each mono with a  single 12AU7 and another larger type pre tube, can't recall the number.
THe other amp will be his DIY 250 SET amp. 
 
As we all know the EL34 has this special character for voicing mids superior to the KT88, and ideal for high sens wide band drivers.
I will test with various styles of music, to see how these 3  tubes presents music in  each  style. 
Stay tuned.

Low string on a  cello = 65hz
There you have it, the 20hz-40hz, not really needed to voice full symphony orchestra.
Kettle drums, eh, , 40hz will be just fine.
All is shaping up to be my 1st time with a ~~real deal~~ high fidelity speaker. 
Now if I could just sell my Cayin cd17/Mundorf Caps = speakers ordered. 
Stay tuned  folks
The Hifi Guy


Blindfold testing is not a good way of testing. You need set up a room with a transparent screen with appropriate lighting so you can’t see the speaker behind it. Take your recordings of say piano, human voice, drums etc and pick the most accurate for lows mids and highs and I doubt you will find a complete speaker. Always compromises.

If you go into a room with something covering your eyes the brain reacts differently so in turn affects your mood and hearing.

Also, I don’t like blind tests. Best to set up gear like say if you want to test for cable differences you ask the subject how you like your music ( with say Nordost Odin). Listen as long as you want. Ask the person to leave and have a quick drink of of water outside where your accomplice switches out the cable (that you can’t see) to Belden. Later come back in and listen to same music selection again to see if the person says anything. If they say sounds great then little to no differences. But if they say doesn’t sound the same something is not quite right then you have your answer. Don’t buy into BS you have to do quick switching. For example if you are trained in playing piano and if it’s off key or tempo, timbre is off or something is different you will spot it like that. That’s why when auditioning you bring your own music. And if you can’t hear anything different then the $10k interconnect has little to no difference. Enjoy ☺️
That’s why when auditioning you bring your own music. And if you can’t hear anything different then the $10k interconnect has little to no difference. Enjoy ☺️


Yes agree, 
The olds of old, going to a show room all set perfectly, with the best sounding test cds, 
Blew us all away,,**yeah I'll  take a pair***
later on,,,hummm, lol,,,not really sure i like these speakers,,,hummm,,,lol
What we all should have done, was to bring our own speakers and shootout with the dealers speakers..
This way we can compare how the the promo speaker really sounds, 
HYped, pumped up,,, we will hear  more clearly.
I am wide band fan. . Can;t be any other speaker. 
For me, wide band sound is *thinking outside the box*
*Opening the cages and letting the doves fly free*
huh?  Six pairs of speakers with different distances from each other and from the rear and side walls, all muted by a curtain.  I can't wait?