For me, the preamp is of ultimate importance. Everything goes through the preamp and each sound is shaped by its character. The preamp is the "first watt" that creates the overall sound of voices and instruments and creates the soundstage's width and depth. Not that a good amp won't help, but I think the preamp is fundamental.
I have a twenty-year old ARC Reference 2 Mk. 2. I'd buy a new ARC preamp if I had the money. Yet I do love the one I have. My SMC Audio amp (McCormack DNA-1 upgraded) and ARC preamp will sound excellent with most speakers.
Obviously I have chosen a certain type of sound to create what I think of as musicality. Opposite, I would say, of Dynaudio and Krell. I have not heard d'Agostino equipment, but I assume it has the powerful punch of its predecessor Krell.
Although I would say that my preamp is known for its soundstage and positioning of instruments, I do not need to hear each note isolated in its own space. I have had seasons tickets to the L.A. Philharmonic for years and live music does not sound so clinical.
I have a twenty-year old ARC Reference 2 Mk. 2. I'd buy a new ARC preamp if I had the money. Yet I do love the one I have. My SMC Audio amp (McCormack DNA-1 upgraded) and ARC preamp will sound excellent with most speakers.
Obviously I have chosen a certain type of sound to create what I think of as musicality. Opposite, I would say, of Dynaudio and Krell. I have not heard d'Agostino equipment, but I assume it has the powerful punch of its predecessor Krell.
Although I would say that my preamp is known for its soundstage and positioning of instruments, I do not need to hear each note isolated in its own space. I have had seasons tickets to the L.A. Philharmonic for years and live music does not sound so clinical.