Amplification: what are the biggest advances of the last 40 years?


As an audiophile most of my adult life but without any engineering expertise, I wonder how amplification has advanced since I started in this hobby as a high school student in the eighties?

Specifically, what has advanced the state of the art and what, specifically, make newer products sound "better" than older ones?

Is it that circuit design has advanced so much?  Or is the bigger difference parts quality and the technology leading to these better parts?

And please, none of the banal "it all matters" comments.  What I'm asking: which of the above matters the most?


bobbydd
So there are no great advances in sound quality, but instead as usual they figured out how to do everything just a little bit better. But that is banal, and so must not be mentioned. We will now proceed at Ludicrous Speed to list all the other stuff that we are allowed to talk about.
There are better parts and a lot more of them on the Boutique side.

Class D amps.

The greater usage of BIG valves. The 300b is being used everywhere.

A lot of development in bigger power valves, KT90-170.

AND top Top TOP of the line amps. Valve and SS amps are just art work inside, a lot craftsmanship..

Sure are more than a few I'd like to test drive if nothing else..

Yup thing have change. I think for better and a LOT of them run a lot cooler, valve amps like the Crimson 275 and all Class ds.

Regards
From the perspective of an amplifier designer, these are the biggest improvements I've been aware of.

OTLs became a lot more reliable- as reliable as any other tube amp. OTLs offer transparency like no other tube amp.
Class D amps have been refined to the point where they are contenders. If you have one that is self-oscillating, they can have a distortion signature that lacks the brightness and harshness of regular class AB solid state amps. This means they can sound smooth like a good tube amp until you run it out of gas. I'd say that's a major break-thru.
But the ability to get rid of that solid state brightness is not limited to class D. Newer semiconductors are around now that didn't exist in the early 1980s or before, making it possible to build a class AB amp that has distortion so low that they don't sound bright. The trick in both the case of the class D and the latter amps I've mentioned here is to have feedback in excess of 35dB. This allows the amp to have consistently low distortion numbers at all frequencies rather that just at low frequencies like amps of the 70s and 80s.

So that's a big deal too.