Thanks for responding. Actually the more I read about these the more I think it would be too risky to buy without listening. And to answer your question I don't think I have a way to audition them. This thread might be the one I read a few months ago that had a lot of people either loving them or not so much. Then I saw a pre-owned set for sale that got me interested. There's a different thread here where everybody pretty much babbled incoherently how unbelievably great they were. I think some linked to some reviews that may have been skewed in Paradigm's favor. One speaker that nobody seems to ever talk badly about is the TAD stand mount. Maybe I should just be happy with what I have and keep in the back of my mind that someday under the right circumstances I may be able to get a set of those
Paradigm Persona series
I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s. I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels). So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass. However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information. The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers. What could possibly be the science behind this claim? It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
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- 470 posts total
- 470 posts total