Thanks again to both of you guys for responding. As far as my ultimate goal in a speaker would be, I would say the feeling of being there if it were live performers is the goal. I think that’s the case for a lot of us. I do like a lot of micro detail if I’m saying that right. For instance I would not want even a slightly veiled sound even if it made the sound a little sweeter. What I’m already getting out of my Ushers is pretty darn good. Things like acoustical solos or vocals are pretty amazing. What I wonder is if it could be better when a lot of things are going on at once. I’ve often wondered when a bunch of musicians are playing at the same time and different vocals and sound effects and such, can any speaker really match the sound of a live performance? Maybe speakers with three or four drivers hold a big advantage in that way. I suspect you guys might know the answer to that. What I did yesterday is send an email to GR-research that specializes in upgrading speakers with better or even the best components internally. I know he has worked with different Usher speakers in the past. That would be my perfect and game if I could put a few hundred or maybe even a thousand or two into the speakers I have and match the performance of these speakers that are and the 8 to 15 thousand dollar range when new. I know that’s a tall task and may not be realistic. I know it’s money I would never see again if I ever sold them, but if I like them enough I don’t think I ever would sell them
Paradigm Persona series
I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s. I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels). So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass. However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information. The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers. What could possibly be the science behind this claim? It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
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- 470 posts total
- 470 posts total