The birth of a new thread dedicated to sharing our newly-acquired "old" LP's.


The Audiogon Forum thread of most interest and use to me is the one entitled "What’s on your turntable tonight?" It was started on 03-04-2004! Reading about the music the contributors to the thread are listening to is a real pleasure, and as I drove home from my visit today to a Vintage Collector’s "Mall" (just a storefront, but with individual spaces for independent sellers, some of whom in my past visits had a milk carton filled with mostly trash LP’s sitting next to a rack of old clothes), the idea to share today’s incredible haul with fellow Audiogon LP lovers came to me. And later in the evening, the idea that others might want to do the same seamed plausible. I don’t expect this thread to be as long-lived as the one referred to above, but that’s up to ya’ll.

I have been to this mall numerous times before, occasionally finding an LP of both interest and in as close to Mint condition as one could reasonably expect from such a source. But today---my first visit in over a year---was a very different story. There was a new vendor, one whose space was devoted 100% to items related to music: LP’s, 45’s, CD’s, magazines, posters, etc., etc. As I started flipping through the LP’s, I realized this was not just random records the vendor had acquired, but rather the collection of an owner with a particular taste in music. In addition to that, the number of promo copies and rare items suggested the owner may have been in the record business. The vendor’s inventory was better than most record collector stores I’ve ever been in! All the LP’s were in plastic outer sleeves, with a hand-written note describing the record: details about the band or artist, backing musicians, etc. The vendor is VERY knowledgeable about music and records.

But dig this: the LP’s were not only very desirable titles, but every single one was in Mint condition! And I mean New/Unplayed Mint, even the LP’s from the 50’s and 60’s! Some were still factory-sealed, others still in shrink wrap but slit open. And the prices! Most in the $5-$10 range, a few $12 or $14. So with that introduction complete, here’s what I brought home with me, in alpha order:

- The Alpha Band (T Bone Burnett, David Mansfield, Steven Soles): Spark In The Dark. $5

- Jim Capaldi (Traffic drummer/songwriter): Oh How We Danced, a title I have been looking for for quite some time. $10

- David Crosby: If I Could Only Remember My Name (original pressing), on Harry Pearson’s Super Disc list. $12

- Delaney & Bonnie: Home (Stax original). $12

- Delaney & Bonnie: Accept No Substitute (first Elektra album). $12

- The Dillards: Mountain Rock (incredible sounding Direct-To-Disc on Crystal Clear). $10

- Dion: Yo Frankie (produced by Dave Edmunds). $6

- Durocs (Ron Nagle and Scott Matthews): s/t. $5

- The Everly Brothers: A Date With (mono). $10

- Red Foley: Greatest Hits (Decca Records). $5

- Ellie Greenwich: Let It Be Written, Let It Be Sung...(legendary album by this incredible Brill Building songwriter). I have been looking for a clean copy for YEARS! $10

- Marti Jones: Used Guitars (guest artists Marshall Crenshaw and Janis Ian). If you don’t yet know about Marti and her husband/partner Don Dixon, get with it! $5 (sealed!)

- Marti Jones: Unsophisticated Time. As is the album above, produced by Don Dixon. $8

- Gordon Lightfoot: If You Could Read My Mind. $5. Background story: On my maiden visit to a newly-opened hi-fi store in Livermore, CA in 1972, the owner (Walter Davies, later of Last Record Preservative fame) was being visited by Bill Johnson of ARC. Bill was a pilot, and flew himself and a complete ARC/Magneplanar Tympani T-1 system to install in the fantastic listening room of his newest dealer. Keeping my mouth shut and my ears open, I got a real education that day (I had just discovered J. Gordon Holt/Stereophile, and the emerging high end scene). Walter used this LP as demo material, and upon hearing Gordon’s version of "Me And Bobby McGee" (bottleneck guitar by Ry Cooder) Bill said: "That IS a great sounding record." Walter gave it to him. I bought my first copy when I got back to San Jose, and still have it. This copy is just for back up ;-) .

- Gordon Lightfoot: Sundown. $5

- Gordon Lightfoot: Summer Side Of Life (German Reprise pressing). $5

- Lone Justice: Shelter (with singer Maria McKee---whose older brother was in the band Love. LJ’s original drummer was Don Heffington, heard on many Buddy and Julie Miller albums. Produced by Little Steven.) $6

- Manassas (Steven Stills, Chris Hillman, Al Perkins, Dallas Taylor, and Bobby Whitlock. Guest guitarist Joe Walsh.): Down The Road. $5

- Henry Mancini: Music From Mr. Lucky (RCA Living Stereo, black label). $6

- The Morells (legendary Springfield, Missouri band beloved by Dave Edmunds, Nick Lowe, Elvis Costello, and myself. I even saw them live ;-) : Shake And Push (backup copy): $8

- Buck Owens And His Buckaroos: Carnegie Hall Concert. $6

- Leslie Phillips: Beyond Saturday Night. You may know Leslie better as Sam Phillips, one-time wife and musical partner of T Bone Burnett. This album (on Myrrh Records) is from when she was a Contemporary Christian Artist. This is the only copy I’ve ever seen. $8

- Jimmie Rodgers: The Best Of The Legendary Jimmie Rodgers (RCA mono, black label with Promo stamp on cover). $8

- The Searchers: Meet The Searchers/Needles & Pins (stereo copy to join my mono on the shelf). $8

- Connie Smith (Marty Stuart’s wife): The Best Of Connie Smith (RCA stereo, black label). $5

- Bobby Whitlock (organist/harmony singer on Harrison’s All Things Must Pass, Clapton’s songwriting/singing/organist partner in Derek & The Dominos, an original member of Delaney & Bonnie And Friends): Rock Your Sox Off. $6

- V/A: White Mansions (A Tale From The American Civil War 1861-1865). With Waylon Jennings, Jessie Colter, Eric Clapton, Bernie Leadon. Produced and engineered by Glyn Johns. $12

- And finally, an LP I never expected to find, and I’ve been looking for about 45 years!: Dick Schory’s New Percussion Ensemble: Music For Bang, Baaroom, and Harp (RCA Living Stereo, black label). $5!


I left a few LP’s, needing to come home and see if my collection was missing them. I’m going back tomorrow to get the one I don’t have: The debut album by The Dave Clark Five in mono.
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Good one Steve. That LP is on my list to acquire. I had it long ago, don't remember why I got rid of it. Early Bee Gees and ABBA, two guilty pleasures ;-) .
My semi-weekly trip to my two neighborhood (withing a 10 minute drive) used record shops proved fruitful yesterday.

Found at store no.1 (where I’ve seen nothing worse than VG+ LP’s):

- Dean Martin: Dream With Dean (Reprise Records, stereo), $6. I knew him as an actor and comedian, but Dean first made his name as a singer. Unlike most of his other albums, this is serious music making, with accompaniment by Barney Kessel on guitar, Ken Lane on piano, Red Mitchell on upright bass, and the great Irv Cottler (Sinatra’s long-time drummer) on drums (Irv kept his sets in the same storage facility as I in Burbank, and offered to sell me the Slingerland kit Buddy Rich gave him. He wanted too much for it, so I passed).

Chad Kassem thought so highly of the music and sound of the Dream With Dean album that he put it out on his Analogue Productions label, but in mono I think.

- The Charles Lloyd Quartet: Love-In (Atlantic Records, stereo), $7. Corny album title, an attempt to sell to the young white kids (such as myself) who were just starting to get into Jazz in 1967 and 8. The album was recorded live on a Sunday afternoon in late-1967 at The Fillmore Auditorium in San Francisco, and look at this line-up: Lloyd on tenor sax and flute, Keith Jarrett on piano, Ron McClure on upright bass, and Jack DeJohnette on drums. What a band!

Charles became involved with The Beach Boys in the 70’s, and DeJohnette was playing in Miles Davis’ band when The Band had Miles open for them at The Hollywood Bowl. Jack and Band drummer/singer Levon Helm became close friends. DeJohnette included The Band’s "Up On Cripple Creek" in his own band’s set. Ironically, playing drums on The Band’s recording of that great song is Band pianist/singer Richard Manuel.

- Steve Forbert: Little Stevie Orbit (Nemperor Records), $5. The LP was mastered by Greg Calbi at Sterling Sound in NYC, so should sound great darn good.

I only recently got into Forbert, picking this one up simply because I saw Bobby Lloyd Hicks is the drummer on the album. Bobby was a member of the great Springfield, Missouri band The Skeletons, and later a member of Dave Alvin’s band The Guilty Men. Alvin also worked with an all female band he named---of course---The Guilty Women ;-) . The GW’s drummer came out of the band of a great songwriter based in Austin, Cornell Hurd. I knew Cornell from growing up in San Jose, where he played drums in his first musical combo---a garage band, of course. He ended up gravitating towards Country & Western and Western Swing, making music that is like Asleep At The Wheel, Commander Cody, and Dan Hicks rolled into one. Junior Brown has recorded a couple of his songs, as did The Skeletons.

- The Bernie Leadon/Michael Georgiades Band: Natural Progressions (Asylum Records), $5. Bernie left The Eagles when they moved too far away from Country for his liking ("Life In The Fast Lane"? Oy.), moving into pretty hard Bluegrass. I know nothing about Georgiades, but I guess I’m about to find out. Playing drums on the album is a very good one---David Kemper, who was also the drummer on T Bone Burnett’s great Truth Decay album.

- And lastly, three albums by a guy whom I know only from his 1968 hit single "Classical Gas": Mason Williams. But all three are on Warner Brothers Records (THE artist-orientated label in the late-60’s/early-70’s), have members of The Wrecking Crew playing instruments on them (including Jim Gordon---later of Derek & The Dominos, etc.)---as well as James Burton, and were priced right. They are:

- The Mason Williams Phonograph Record (which contains "CG"), $10.
- The Mason Williams Ear Show (participants include Jennifer Warren and John Hartford), $7.
- Handmade, $6.

That’s long enough for one post, I’ll do the other shop later.


Just back from dinner out with the sisters, where I had my first Old Fashioned, a drink I saw ordered in that recent TV show Michael Douglas has been in (I forget the name). My first OF, and my last. Too sweet!

Alrighty, here’s what I brought home yesterday from record shop no.2:

- Bob Dylan: Planet Waves (UK Island Records), $9.99. One of my fave Dylan LP’s, which I already own on an original US pressing, a modern Mobile Fidelity LP, and both Japanese Sony and Mobile Fidelity SACD’s. As I said, I like the album. A lot. Backing Bob are The fantabulous Band.

- The Rowans: self-titled (Asylum Records), $2.99 (the original store price sticker is from Rasputin’s, a Bay Area favorite. Dated 2013, priced $1.95). You may already know of Peter Rowan (Seatrain, solo), but here he teams up with his brothers Chris and Lorin. All three have movie star-good looks ;-). Drumming by Russ Kunkel, production by Richie Polodor, engineering by Bill Cooper, mastering by Doug Sax.

- Linda Ronstadt: Lush Life (Elektra Records, original "hatbox" cover), $2.99. I wasn’t interested in this album when released, but am now. Music of course by Nelson Riddle & His Orchestra. Recorded and mixed by George Massenburg.

- Art Garfunkel: Lefty (CBS Records), $3.99. I’m not overly interested in Garfunkel, but the credits list Steve Gadd on drums, Joe Osborne on bass, Nicky Hopkins on keyboards, Hugh McCracken on guitar, Eddie Gomez on acoustic bass, and Michael Brecker on sax. The best musicians money can buy. Mastered by Doug Sax.

- Leo Kottke: Greenhouse (Capitol Records), $4.99. I already own a Capitol Records reissue, but this is an original pressing. Produced by Denny Bruce, a favorite of mine. I was invited up to Denny’s house in the Hollywood Hills when I lived in L.A., and found him to be a real down to Earth guy, no Rock Star airs at all.

- Procol Harum: Grand Hotel (Chrysalis Records), $6.99. I wrote-off PH when Matthew Fisher left the group, whereupon guitarist Robin Trower moved from a supportive role to a lead one, turning them from a Classically-informed Baroque ensemble to just another white-boy English Blues band. Blech. Instead of using his guitar to play the song, he uses the song to play his guitar.

But in the coupla years before his death, Art Dudley was singing the praises of this album, so I’ve been looking for a good copy (and finding only trashed ones). This copy is not only clean, but also complete with the oft-missing full-size booklet. I was relieved to learn that by the time of this album Trower had left the group. Good riddance.

- Loudon Wainwright III: Album III (Columbia Records), $6.99. I have long been a fan of Loudon’s middle-period work on Rounder records, only recently looking for his earlier and more recent albums. The last one I bought as a new release was 2001’s Last Man On Earth (Red House Records, CD only as far as I know), which I love. I then for some reason lost track of him. He’s made a lot of albums since the late-60’s, released on a lot of different labels. A great songwriter and a very interesting guy, no one quite like him.