Phono preamp tube rolling.


As upgrade rush bites again, planning to perform some tube rolling on my Rouge Ares Magnum. Please share some experience with tube rolling on pure tube circuit topology phono preamps. Practical experiences are preferred. Theoretical options are welcome too.
surfmuz
tomwh, it’s not odd to me…12AU7, 12AT7 and 12AX7 are pretty much the same tube with a little different gain settings. 
@mijostynit 
is always best to use the specified tube.       
Could be exceptions, but I general you right…. I always return to specified tubes. 
@mulveling 
thank you… it’s a quite impressive experience. What was following upgrade replacement for your Ares?
@surfmuz
The 12 ax7/ ay7 / at7 aren’t really the same thing with different gain. They have very different plate resistances and drive capabilities, for starters. The Ares’ 12au7 slots are mu followers with a lot of flexibility - one element per tube used for gain and the other for output - so any of those tubes will work, but the 12ax7 is by far the worst choice here. It’s not a good output tube. That’s why I suggested at7 / ay7 / 12bh7.

I upgraded to a VAC Renaissance phono stage. Way more musical and organic, quieter, much better bass, and more detailed too. I used "way better" a lot because it’s all true - including the VAC’s sticker price! If I have one critique it’s that I actually like the CineMag blue-label SUT in the Ares Magnum more than the Lundahl LL1931 in the VAC (personal preference). But I bypass the VAC’s Lundahls with my choice of outboard SUT anyways - even sometimes with a CineMag Sky blue (great combo).
The Impact of an SUT or Head Amp on the downstream of the system can be just as impressive as a change to a certain Tube can offer.