Problem is that 'accurate reproduction' is such a moving target, especially when most recordings are hardly 'accurate reproductions' of a live event in the first place. Most recording efforts to produce accurate recordings come from classical music department but it only works there when well engineered performances are small scale which seems to overcome some of effects of the compression and downsizing of larger orchestral events. So it is a compromise. Even most soundstaging effects having their orgins in the recorded music, as opposed to set up, are artificially recreated by mic placement which often gives undue prominance to some instruments which is something you never hear in concert. But it sounds nice :-).
So, I would also make a case for the thought that 'if it sounds good to you, then it is good' because sounding 'real' is virtually impossible anyway, and faithful reproduction of what is on the disc of the majority of the music you listen to may not really be what you want to hear. The exception to this may be the few really anal audio enthusiasts who really do want a perfect chain, cradle to grave and they listen to principally train wistles and jets taking off. :-)
So, I would also make a case for the thought that 'if it sounds good to you, then it is good' because sounding 'real' is virtually impossible anyway, and faithful reproduction of what is on the disc of the majority of the music you listen to may not really be what you want to hear. The exception to this may be the few really anal audio enthusiasts who really do want a perfect chain, cradle to grave and they listen to principally train wistles and jets taking off. :-)