**** Good recordings will sound better and poor recordings will sound a lot better than they would on a bad system. ****
noromance is exactly right. The comment is particularly true if one considers that the sound of what is a “poor” recording to a listener with audiophile sensibilities or aspirations may be exactly what the artist intended. This goes to one MC’s comments. The artist and/or producer may have a certain sonic aesthetic in mind that he/she feels does service to the music and this aesthetic may be a far cry from the pristine type of sound that we crave as audiophiles. This is particularly true of R&R recordings. Sometimes imperfection and grunge in the sound is exactly what the doctor ordered…music wise. On a related note:
”What do you use to demo equipment, or when attending an audio show?” is a common question. I always make a point to use or bring along recordings of kick as& music that does NOT have “exceptional” audiophile sound. If the gear let’s me hear more of the musical interplay in those recordings without what can become the “distraction” of all the typical audiophillic checking points, then I know I’m on the right track. To the OP:
You write “I have a turntable”. Keep in mind that one of the truest of all audiophile truisms is “garbage in, garbage out”. Any musical information or aesthetic choice that is lost at the source cannot be recovered no matter how good the upstream components. One does not necessarily have to spend the most on the turntable, but only if the turntable/arm/cartridge setup is of, at least, “good” quality can one benefit from exceptional speakers and electronics. If that is not the case, then the exceptional electronics and speakers will only better reveal the problems with the turntable.
Good luck.
noromance is exactly right. The comment is particularly true if one considers that the sound of what is a “poor” recording to a listener with audiophile sensibilities or aspirations may be exactly what the artist intended. This goes to one MC’s comments. The artist and/or producer may have a certain sonic aesthetic in mind that he/she feels does service to the music and this aesthetic may be a far cry from the pristine type of sound that we crave as audiophiles. This is particularly true of R&R recordings. Sometimes imperfection and grunge in the sound is exactly what the doctor ordered…music wise. On a related note:
”What do you use to demo equipment, or when attending an audio show?” is a common question. I always make a point to use or bring along recordings of kick as& music that does NOT have “exceptional” audiophile sound. If the gear let’s me hear more of the musical interplay in those recordings without what can become the “distraction” of all the typical audiophillic checking points, then I know I’m on the right track. To the OP:
You write “I have a turntable”. Keep in mind that one of the truest of all audiophile truisms is “garbage in, garbage out”. Any musical information or aesthetic choice that is lost at the source cannot be recovered no matter how good the upstream components. One does not necessarily have to spend the most on the turntable, but only if the turntable/arm/cartridge setup is of, at least, “good” quality can one benefit from exceptional speakers and electronics. If that is not the case, then the exceptional electronics and speakers will only better reveal the problems with the turntable.
Good luck.