Speed stability is a fantastic thing (listen to some Plangent process digital masterings vs. a standard one and you hear how solid it sounds when tape machine wow and flutter is corrected.
However I’m not sure that’s where the sonic benefits come from comparing well designed tables.
Many years ago I upgraded from a Raven One table that I heavily tweaked. It sat on a Halcyonics active vibration table with a Sistrum stand bypassing the table’s feet. It had a TTW copper platter top/clamp/ periphery ring and tape leader as a belt. It was a fantastic sounding table and taken to another level with tweeks.
I became so enamored with TTW’s accessories, I bought their Momentus Supreme table driven by 3 belts. I was expecting an improvement, but a nuanced one.
I put the same Graham Phantom II arm and Strain Gauge cart on the TTW and I was pretty shocked to hear just how much more dynamic the music was, and how much wider bandwidth it had.
This was just the pure table without vibration table or copper platter top. It was truly eye opening and a good lesson I suppose on how there is no getting around physics, at least as analog goes.
I can only imagine what a cost no object table sounds like..... (of course I’ve set myself up for someone to come back and say.... “it sounds like a $1000 dac”)
I haven’t fired up my Adjust Plus software (a more complex version of the App the measurement in this topic were taken from- but came with a 12” LP) in a very long time, because I’m a Mac guy and it’s PC only, but I’m now tempted to get it going and test out my table’s speed stability.