Is improvisational jazz to impressionism art as smooth jazz is to realism art?


So, I’ll acknowledge up front, I’m an engineer. Civilian and Warfighter lives can be in the balance depending on whether our company products perform as required or not. As a result, I try very hard to drive the entropic world we live in towards black and white as much as possible. I need to put order to chaos. When i look at art, impressionistic art requires a lot of mental work to make sense of. I just don't see it or get it, appreciate it or like it. I also find, as hard as i may try to enjoy improvisational jazz, that i don't get it, appreciate it, or like it. Instead, I love Realism art and instrumental smooth jazz!!
Reading from Audiogon forum pages for a couple of years now, i feel like i should feel inferior because 1. I don’t appreciate the free flow of expression that is improvisational jazz and 2. I love that there is a tune and thread in smooth jazz. I love the guitar artistry of Chuck Loeb, Chris Standring, and Acoustic Alchemy; the trumpet expressions of Rick Braun, Cindy Bradley, and Chris Botti; and the bass works of Brian Bromberg. 
I’m curious if there are many others out there that equate order (or lack there-of) in their music tastes to that of their taste in the visual arts?
Also, are there many other music lovers who would rather enjoy a good smooth jazz listening session than improvisational jazz?  If so, who do you listen to?
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tablejockey ...

I have the same feelings about Kenny G. as you do. However, I saw him one night as a guest on the old Arsenio Hall show. Kenny G. played his soprano sax without all of the electronics backing him up. It was just Kenny G. playing straight-ahead jazz. Believe it or not, the man kicked butt. Why he didn't cut recordings like that is beyond me.

Frank
Endless scope for inexact analogies.

Like: Kenny G. is to Andy Warhol as Charlie Parker is to......................


Song title on the debut album (entitled Gorilla) of The Bonzo Dog Doo Dah Band:

"Jazz, Delicious Hot, Disgusting Cold".

More facts about Jazz: The music requires the most technique of all non-Classical musics to be able to perform well. Lots of music requires no more than average in that regard, but lots of Jazz is not only difficult to listen to, but also to play. That is---I contend---part of it’s snob appeal.

Jeff Hamilton (Diana Krall’s drummer) gave a talk at a late-90’s Los Angeles Custom & Vintage Drum Show, and talked about he and his Dad watching The Beatles’ first appearance on The Ed Sullivan Show, and laughing at the playing of Ringo Starr. There’s some of that Jazz attitude: Technical ability alone defines the quality of a musician’s playing, and the combined technical abilities of a musical ensemble the quality of the music they make.

Would the music of The Beatles have been "better" if Hamilton rather than Ringo was their drummer? Or could it instead have been less good?