Not wasting my time on new Digital


Well guys, I have disappointing news:

Getting all hyped being a tech guy, tried out a new $9000 top flying Integrated CD player, with the apparently best design and parts including Anagram algorithms and ……..

I don’t know boys, this is my second disappointing experience with new digital gear.
I am not going to mention any manufactures that I have been disappointed with.
I have a very nice system to my ears to name a few products including Sonus Faber (Electa Amator mk1 to be exact) Apogee’s, Audio research and more…….

Decided to try some new sources of course and I was told all sort of things and parts and man oh man, the reviews and well to my ears other than my original Oracle turntable and my newer VPI table, my older DAC’s sound much more musical. WHY? WHY? WHY?

New technology, new ideas, new designs, new engineering and we see to be going behind rather that forward. I still like my original Theta Gen V and even my Bel Canto DAC for a fraction of the cost, even my Micromega DAC hands down.

Anyway are there any other people experience the same thing, by the way I have tried some very serious stuff and out of the pricy gear…meridian and Spectral (Spectral SDR-2000 with no upgrades and still sounds amazing) stays on top of my listing.

Appreciate any input.

Cheers - rapogee
rapogee
Viridian...Please explain why I should care about sounds that are ten to twenty dB softer than what is audible.

Unlike many sonic characteristics that are near to the heart of audiophiles, dynamic range is very easy to measure. Have you ever actually done this?
Drubin: What i was saying is that electronic componentry has a higher level of time delay and signal smearing than even just a reasonably well designed piece of cabling. Sean
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Eldartford,

Ditto! I was about to say the same thing.

The problem starts with the recordings. I have witnessed A-B tests between a SOTA ($60K+) vinyl setup and certain Digital only to find out that, with the same record title, some sound better on the Digital and some better on the Vinyl.

Believe or not!

Regards,
Alex
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Viridian: I am loathe to insert myself into the middle of this one, but I can't make sense of your statements

"...analog, both tape and LP, has greater dynamic range than redbook CD. Sounds can be heard between ten and twenty db beneath the noise floor on analog. Digital media simply throw away all information below the least significant bit"

"in analog, not digital, replay, sounds can be heard 10db to 20db into the noise floor and this leads to analog replay having a greater dynamic range than redbook CD"
Taking for granted, for the sake of argument, the assertion about audibility below the noise floor with analog, I can't see any connection between that supposed fact, and drawing the conclusion that therefore digital must have less dynamic range. Even if the stipulation about audibility is true, it seems to me the comparison would be wholly dependent on where the analog noise floor actually falls in relation to the bit-depth of a particular digital format. If, for instance, an analog format has a noise floor 20dB higher than the LSB of a digital format, then they should have equal dynamic range by your argument. But even so, taking the noise floor of the analog into account, the digital should have superior low-level resolution.

Personally, I'm not sure that any of this stuff actually has much to do with the perception of 'dynamic' sound (or whether dynamics has anything to do with D_Edwards contention about digital and multichannel, for that matter). But regardless, your inference does seem like a non-sequitor to me.