SET the best?


Is SET amplification where we should all end up? I keep reading posts where people tell of their journeys from plenty power to micro power, and how amazing SET amplification is 45 set 211 set 845 set otl, and usually, ....with the right speaker. I have yet to read of anyone who has gone the other direction from SET, to High watt beast class A amps or others.
If your speakers can be driven by minimal wattage, is this the most realistic, natural sound we can achieve? versus say, 86db sensitive speakers and a 1000w amp?
Is the end result solely based on speaker pairing? circuit? tubes?

I am in the process of changing my direction in my search for realistic sound, just because, and wondering if this really is the best direction to be going.
From what I have been reading I think it may be.

What do we get with SET? What do we give up?

What's you favorite color?
hanaleimike
So this is a mono set? I assume you recommend your tube pre, or is that coming soon too?
@bjesien We've been making preamps since 1989- the MP-1 was the first balanced line preamp made for home audio.
Intrigued. Could you please point me in the direction of any credible scientific documentation which arrives at this conclusion?
@pesky_wabbit  This fact that the ear/brain system uses higher ordered harmonics (5th and up) to sense sound pressure is well known and you can prove it to yourself with simple test equipment. All you need is a speaker, an amplifier, a VU meter and a sine/square generator. Set the generator to sine. Run the signal into the amp and then to the speaker. Use the VU meter to show the level. Set the level to 0VU. Then cover up the meter and turn down the volume. Set the generator to squarewave output. Keep the meter covered; run the volume up until its as loud as it was before. Uncover the meter and you'll immediately see what's going on- typically the meter will be showing -20dB or less. Square waves have lots of higher ordered harmonics and sine waves have none.

On page 31 of the Radiotron Designer's Handbook (3rd edition, from the 1930s) we see that it was understood back then that the higher orders were more audible and so should not be created in large amounts for the critical (or casual) listener. Here's a link to a pdf of that tome:
https://worldradiohistory.com/BOOKSHELF-ARH/Handbooks/Radiotron-Designer%27s-Handbook-3rd-Edition.pd...You might want to read the chapters on audio power amplifier design; its quite interesting to see how well were understood the principles we use today. Keep in mind that the Radiotron was meant as a guide and is not greatly in-depth.

General Electric did a study on this in the 1960s which I read in college but I've yet to find that study on line.

Suggest you look at my thread: “Is there a SS amp that can satisfy a SET guy?”:
https://forum.audiogon.com/discussions/is-there-a-solid-state-amp-that-can-satisfy-a-set-guy?highlig...
Mostly, the answer is no. With 1 or 2 exceptions.
Bakoon and AGD
I now live with my destination amps-AGD Audion mono blocks.
By far, the best amps I have experienced in 50 years.
They have the magic of great SETs with the detail and impact of great SS. Yes, SETs can be magical, beautiful and musical. But the metaphor from the above thread that I held on to is: “SETs are like a sonic screwdriver loosening the sound.”. The detail and scope of the AGD SQ speaks to the “magic” of a great Class D GaN amp.
Shockingly real. After years of SETs, I do not miss them at all.

Well one would have to have heard each and every class A, AB, D, GAN, Tube push/pull, OTL, Chip and Hybrid amp produced to say only one or two amps. Right?! Hear them all in the same exact system. Right?! 
We must be careful making sweeping statements that are always based on such little experience relative to all that is out there.
@atmasphere thanks, I’m lucky enough to have an old dog eared copy of RDH3. You are right, they knew an awful lot back then.

It’s surprising how often I have read that modern designers have discovered that upon further analysis, some ‘antiquated’ circuits have turned out to be far more sophisticated than appeared at first glance. Audio Note made significant improvements to their linestage shunt regulator through this process. Schade feedback was forgotten for decades.